This accession consists of records documenting the activities of the National Portrait Gallery, especially its acquisitions, and relations between the National Portrait Gallery and the National Portrait Gallery Commission. The National Portrait Gallery Commission is an oversight body for the National Portrait Gallery. Materials include incomin...

This accession consists of records documenting the semiannual meetings of the National Portrait Gallery Commission. The National Portrait Gallery Commission is an oversight body for the National Portrait Gallery. Materials include member lists, agendas, minutes, supporting documents, reports, acquisitions recommendations, memoranda, correspond...

This accession consists of records that document the National Portrait Gallery (NPG) Commission which is responsible for the promotion, development and utilization of the museum and as well as the acquisition of artwork. Materials include correspondence, memoranda, membership lists, commission votes, meeting minutes, acquisition information, ...

This accession consists of records that document the National Portrait Gallery (NPG) Commission which is responsible for the promotion, development and utilization of the museum and as well as the acquisition of artwork. Materials include correspondence, memoranda, membership lists, commission votes, meeting minutes, acquisition information, ...

This accession consists of records that document the National Portrait Gallery (NPG) Commission which is responsible for the promotion, development and utilization of the museum and as well as the acquisition of artwork. Materials include correspondence, memoranda, membership lists, commission votes, meeting agendas and minutes, acquisition ...

The records pertain to the administration of David W. Scott, director, 1965-1968, Robert Tyler Davis, interim director, 1969, and Joshua C. Taylor, director, 1970- . Some records, most noticeably correspondence with Smithsonian Art Commission members, have been pulled up into the files from previous administrations. Also included are Smithson...

This accession consists of materials that document the activities and decisions of the National Portrait Gallery Commission. The National Portrait Gallery Commission is an oversight body for the National Portrait Gallery. Materials include press clippings and brochures.

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.