This accession consists of the files of the 150th Anniversary Program and cover preparations for the Sesquicentennial of the Smithsonian Institution. Includes correspondence and minutes of meetings relative to the 150th anniversary, including the 150th Community Committee, 150th Marketing Committee and 150th Program Committee; committee files ...

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

This accession consists of records that document the acquisition of a bell to be hung in the north tower of the Smithsonian Building in 1996 during the 1996 celebration of the Smithsonian Institution sesquicentennial. The bell was manufactured by the Whitechapel Bell Foundry in London, England. David Shayt, a Museum Specialist in the Division ...

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

This accession consists of records documenting the administrative activities of the Office of International Relations and its predecessors, the Directorate of International Activities and the Office of International Activities, respectively, in regard to office budgetary matters and the coordinating of internationally-focused Smithsonian proje...

This accession consists of Secretary Robert McCormick Adams' administrative files for 1989. Materials include correspondence, reports, memoranda, and other communications received or issued by the Office of the Secretary, reflecting a wide range of official activities. The records contain correspondence relating to major Smithsonian Institutio...

The Lonnie G. Bunch Papers include both personal materials and professional records from the various institutions that he worked at as well as his teaching positions. The personal materials include family correspondence, family history records, and photographs. In relation to his teaching positions there are course syllabi, reading lists, ...

This accession consists of general subject files relating to National Zoological Park (NZP) programs, facilities, and administration; and issues of animal welfare, conservation, zoological parks and aquariums. These files were created and maintained during the tenures of Directors Theodore H. Reed, 1958-1983; and Michael H. Robinson, 1984...

The papers of African American art historian Judith Wilson measure 11.2 linear feet and 27.94 GB and date from 1966 to 2010. Wilson's career is documented through correspondence with friends, colleagues, artists, universities, and art organizations; notebooks; files on writing projects, conferences, lectures, symposia and other professional activities; and a small amount of printed material. Also found is research material on artist Bob Thompson, including photographs, printed material, correspondence, notebooks and a documentary video recording. Additionally, the collection includes sound recordings of 71 interviews of artists and art collectors and six video recordings. Some of the materials are in digital format.