50 records — Page 1 of 5
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Creators:
Anacostia Community Museum
Dates:
1995-1999
Size:
14 Linear feet (17 boxes)
Collection ID:
ACMA.03-037
Repository:
Anacostia Community Museum Archives

An exhibition examining the faith and spiritual traditions in African American religious life in the 1990s. The exhibition features members of Christian churches as well as those of other faiths. Special attention is given to the ways that African American congregations are responding to contemporary challenges affecting their families, neighborhoods, and communities. Curated by Gail Lowe, the show wa displayed in the Smithsonian Arts & Industries Building from May 1998 to December 1999.

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Creators:
Anacostia Community Museum
Dates:
2011
Collection ID:
Accession 11-242
Repository:
Smithsonian Institution Archives

This accession consists of the website of the Anacostia Community Museum as it existed on June 30, 2011. The website includes general information about the museum, a calendar of events, press releases, exhibition descriptions, and collections information. The website also includes the online exhibitions "All the Stories are True;" "Adam F...

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Creators:
Smithsonian Institution. Office of Exhibits Central
Dates:
1971-2002
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 08-051
Repository:
Smithsonian Institution Archives

This accession consists of records documenting exhibitions produced by the Office of Exhibits Central (OEC) for various Smithsonian Institution units. Exhibitions documented in this accession include Speak to My Heart: Communities of Faith and Contemporary African American Life; Caribbean Visions: Contemporary Paintings and Sculpture; In ...

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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Creators:
Naff, Alixa, 1919-2013
Dates:
1875 - 2004
Size:
120 Cubic feet (295 boxes )
2,000 Photographs
450 Cassette tapes
Collection ID:
NMAH.AC.0078
Repository:
Archives Center, National Museum of American History

The collection is the result of research conducted by Dr. Alixa Naff relating to the study of the early Arab immigrant experience in the United States from about 1880-World War II. The study began with oral history interviews in 1962 and became a major project in 1980 with a grant from the National Endowment for the Humanities. It documents the assimilation of Arabic speaking immigrants in the United States.

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Creators:
Maltsby, Portia
Smithsonian Institution. Program in African American Culture
Dates:
1850-2004, undated
Size:
100 Cubic feet (309 boxes)
Collection ID:
NMAH.AC.0408
Repository:
Archives Center, National Museum of American History

The collection primarily documents the activities of the National Museum of American History's Program in African American Culture (PAAC) dating from 1979 through 2004. The Program in African American Culture (PAAC) created public programs documenting the black experience in the United States, as well as, other countries. Archival materials include photographs, programs, administrative files, magnetic tape, audiocassettes, U-matic and VHS video cassettes.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2012
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2012
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Richardson, Deborra
Reagon, Bernice Johnson, 1942-
Dates:
circa 1822-1994
Size:
6.55 Cubic feet (17 boxes)
Collection ID:
NMAH.AC.0653
Repository:
Archives Center, National Museum of American History

The collection documents the customs and culture of black gospel song and its performance in 19th- and 20th-century America. Dr. Reagon collected photographs, sheet music, and other primary and secondary sources chronicling the development and legacy of this medium, from the Civil War to the Civil Rights movement, from blues to Gospel to classical to jazz. Among the subjects included in this collection are trailblazers such as Charles Tindley, Thomas A. Dorsey, Rosetta Tharpe, Duke Ellington, and Nathaniel Dett. Noted performers are the Fisk Jubilee Singers, the Harmonizing Four, the Hampton University Choir, and the Chick Webb Orchestra.

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Creators:
National Museum of American History (U.S.). Division of Musical History
Ellington, Duke, 1899-1974
Dates:
1903 - 1989
Size:
400 Cubic feet
Collection ID:
NMAH.AC.0301
Repository:
Archives Center, National Museum of American History

The collection documents Duke Ellington's career primarily through orchestrations (scores and parts), music manuscripts, lead sheets, transcriptions, and sheet music. It also includes concert posters, concert programs, television, radio, motion picture and musical theater scripts, business records, correspondence, awards, as well as audiotapes, audiodiscs, photographs, tour itineraries, newspaper clippings, magazines, caricatures, paintings, and scrapbooks.

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50 records — Page 1 of 5