The papers of Miami art critic Helen Kohen date from 1978 through 1996 and contain letters, postcards, exhibition announcements and invitations, and seventy-four untranscribed interviews of artists, dealers, and collectors in the Miami area.

The collection consists of the transcripts for the Space Astronomy Oral History Project (SAOHP), which examined the early use of rockets and satellites to study the upper atmosphere and space for the period 1946 through the early 1960s. This project constitutes one of several oral history projects conducted within the Department of Space History, NASM. The principal investigator for the SAOHP was David H. DeVorkin, and the interview set contains 225 hours of interviews with 56 individuals. The central thread of this collection is how the availability of new technologies for research, first the rocket and later satellites, helped to create a new social matrix for research. The following were interviewed: Jules Aaron; Ball Brothers; William Baum, William Behring; Jay Bergstrahl; Richard Bleach; William Brunk; Arthur Code; Jerry Conner; Frank Drake; William Fastie; Lorence Fraser; Herbert Friedman; Phyllis Frier; Robert Frosch; George Gianoplis; Thomas Gold; Leo Goldberg; Martin Harwit; Ralph Havens; Albert Hibbs; Noel Hinners; Hans Hinteregger; Charles Johnson; Francis Johnson; Adolph Jursa; Henry Kondracki; Ernst Krause; Alfred Nier; Gerry Neugebauer; Werner Neupert; Ray Newburn; Gordon Newkirk; Edward Ney; Charles O'Dell; William Pickering; Richard Porter; James Purcell; William Rense;Walter Roberts; Nancy Roman; Milton Rosen; Dan Scheiderman; Ronald Schorn; Martin Schwarzschild; Richard Silberstein; John Simpson; Lyman Spitzer; Kaj Strand; Nelson Spencer; John Strong; Gerald Tape; Clyde Tombaugh; Richard Tousey; Mona Tycz; James Van Allen; Gerald Wasserburg; James Webb; James Westphal; Charles Whitsett; Fred Wilshusen; and George Withbroe.

This collection consists of the oral history transcripts and related research documentation for the Space Telescope History Project (STHP), which examined the space sciences, predominantly astronomy, viewed through the lens of a particular undertaking, the Hubble Space Telescope, 1970s-1980s.

This accession consists of the papers of David H. DeVorkin, Curator in the Space History Division at the National Air and Space Museum, 1981- , with earlier records dating from when he was assistant professor of astronomy at Central Connecticut State College, as well as during the years he attended high school and college. DeVorkin specializes...

This accession consists of records documenting the various professional activities of David H. DeVorkin, curator in the Department of Space Science and Exploration, later the Department of Space History and then the Division of Space History, including fellow evaluations, manuscript editing, and research, as well as professional correspondence...

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.