Peter Lister negatives of Benton Spruance
Peter Lister negatives of Benton Spruance include eight 35mm negative strips (29 negatives) of Benton Spruance in his studio on Germantown Avenue in Philadelphia taken by Peter Lister for the Philadelphia Sunday Bulletin magazine, circa 1965. Also included is and one color slide of Spruance by Lister.
Eunice Leopold papers relating to Benton Spruance
Included are letters to Eunice Leopold (1958-1986) concerning loans and gifts of prints by Benton Spruance; a letter from Henri Marceau to Spruance (1963), a letter from Ludwig Bemelmans (1958); letters to Leopold from Spruance (1961- 1967); sound recordings containing a Spruance lecture on prints and printmaking; printed matter relating to Spruance's career including exhibition …
William Dolan Fletcher papers
Notebooks compiled by Fletcher listing prints by artists John Castigan, John Flannagan, Ruth Gannett, Gordon Grant, Norman Kent, Troy Kinney, Clare Leighton, Barry Moser, Chauncey Ryder, Benton Spruance, Walter Tittle and Keith Shaw Williams; and research material on Gerald Leslie Brockhurst and Benton Spruance. Brockhurst material includes correspondence, biographical sketches …
Oral history interview with Peter Paone
An interview of Peter Paone conducted 1991 Sept. 27, by Cynthia Veloric, for the Archives of American Art Philadelphia Project.
Oral history interview with Kay WalkingStick
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
105 Pages (Transcript)
An oral history interview of Kay WalkingStick conducted 2011 December 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at WalkingStick's studio, in Jackson Heights, Queens, New York.
Carl Zigrosser papers
Personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on prints and printmaking and his personal relationships with artists.
Adolf Dehn papers
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
Frank K. M. Rehn Galleries records
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.
American Federation of Arts records
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
Downtown Gallery records
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.