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- Creators:
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Anderson, F., Kingshill, St. Croix, Virgin Islands
- Dates:
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1930
- Size:
-
8 Photographs
- Collection ID:
- NAA.MS4298
- Repository:
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National Anthropological Archives
Found In
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- Creators:
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Hughes, William E.
- Dates:
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circa 1891-1931
- Size:
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5 Reels (16 mm)
15 Negatives (glass)
2,800 lantern slides (circa)
1 Scrapbook
- Collection ID:
- NAA.PhotoLot.75-18
- Repository:
-
National Anthropological Archives
Photographs made or collected by William E. Hughes during his travels in the United States, Greenland, Japan, Grenada, Trinidad, Barbados, Dominica, Guadeloupe, Martinique, Montserrat, St. Croix, St. Kitts, St. Lucia, St. Vincent, Cuba, Venezuela, France, Brazil, Costa Rica, Yugoslavia, Greece, and Turkey. They document the landscapes, churches, pu...
Found In
Charles F. Blair, Jr., Collection
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- Creators:
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Blair, Charles F., Jr., 1909-1978
- Dates:
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[ca. 1950s]
- Size:
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1.74 Cubic feet ((1 shoebox) (1 23.5x19x4 flatbox) (1 16x13.5x3 flatbox))
- Collection ID:
- NASM.1999.0042
- Repository:
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National Air and Space Museum Archives
This collection consists of two large scrapbooks, 15 glass slides and a print and copy negative film of Blair on his historic polar flight.
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- Creators:
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Krainik Gallery (Falls Church, Va.)
Work and Industry, Division of, NMAH, SI
Engineering and Industry, Division of, NMAH, SI.
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
More … - Dates:
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1886-1887
- Size:
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0.3 Cubic feet (1 box)
2 Albums
- Collection ID:
- NMAH.AC.1023
- Repository:
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Archives Center, National Museum of American History
Two photograph albums containing photographs of railroad bridge construction in Minnesota , on the St. Croix River, the Clearwater River, and the Soo River. The photographs, most of which are captioned and dated, include images of such things as cutting, filling, bridges and piers, camps, and surveying. A few images of towns and people are included...
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 26-July 7, 2013
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2013
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Cook Labs
Cook, Emory, 1913-2002
- Dates:
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1908-2002, bulk 1948-1965
- Size:
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6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
- Collection ID:
- CFCH.COOK
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
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- Creators:
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Gates, Margaret Casey, 1903-1989
- Dates:
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1934-1988
- Size:
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1 Linear foot
- Collection ID:
- AAA.gatemarg
- Repository:
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Archives of American Art
The papers of Washington, D.C. painter Margaret Casey Gates date from 1934-1988, and measure 1.0 linear foot. Gates' papers document her work as a painter, her projects for the New Deal federal arts programs, the Phillips Memorial Gallery and its art school, where she attended school and later worked as secretary and where her husband Robert Franklin Gates was a teacher, and the Washington, D.C. arts scene. Found are scattered correspondence, seven sketchbooks by Gates and two sketchbooks of her divorced husband Robert Franklin Gates. Miscellaneous notes and writings, a scrapbook, printed material, and photographs of Gates, her husband, friends, artwork, and views of the Virgin Islands are also included in the papers.
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 27-July 8, 1990
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1990
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
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National Museum of Natural History. Department of Paleobiology
- Dates:
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1955-2013
- Size:
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21 cu. ft. (21 record storage boxes)
- Collection ID:
- Accession 17-300
- Repository:
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Smithsonian Institution Archives
This accession consists of the records of Ian G. Macintyre, Curator Emeritus, who specializes in carbonate sedimentology with a multidisciplinary interest in post-glacial history of coral reefs, submarine lithification, skeletal mineralogy of reef organisms, bioerosion, and Holocene sea-level history in the western Atlantic and eastern ...
Found In
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- Creators:
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Colonna, Farrell: Design.
Fleckner, John A., 1941-
Farrell, John, 1944-
Crew, Spencer R., 1949-
More … - Dates:
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1975-1997
- Size:
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2.1 Cubic feet
- Collection ID:
- NMAH.AC.0626
- Repository:
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Archives Center, National Museum of American History
Original artwork and final prints of wine labels, files on work for other clients, plus audio tapes of an interview of Farrell.