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- Creators:
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Kelly, R. L.
Northwestern Photo Company
Stilwell, L. W.
Scott, George W.
More … - Dates:
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undated
- Size:
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54 Copy prints
- Collection ID:
- NAA.MS4464
- Repository:
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National Anthropological Archives
Relate to the Dakota Indians of Pine Ridge and Rosebud Agencies, and to the Battle of Wounded Knee (December 29, 1890), including views of the battlefield, January, 1891.
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- Creators:
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National Museum of American History. Office of Curatorial Affairs
- Dates:
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1990-2008
- Size:
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13.38 cu. ft. (12 record storage boxes) (2 16x20 boxes)
- Collection ID:
- Accession 16-322
- Repository:
-
Smithsonian Institution Archives
This accession consists of records documenting the exhibition and program coordinating activities of the Office of Curatorial Affairs, primarily in regard to the preservation of the Star-Spangled Banner and the planning, development, and production of the exhibition "The Star-Spangled Banner: The Flag that Inspired the National Anthem" at the ...
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- Creators:
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Community Life, Div. of, NMAH, SI
Alland, Alexander, Sr. (Alexander Landschaft), 1902-1989
Kaslov, Steve, ca. 1888-1949 (King of the Red Bandanna Romany Gypsies )
- Dates:
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circa 1920-1975
- Size:
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4.3 Cubic feet (15 boxes)
- Collection ID:
- NMAH.AC.0161
- Repository:
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Archives Center, National Museum of American History
This collection consists of 4.3 cubic feet of manuscript, print, and photographic materials created or collected by Carl de Wendler-Funaro (1898-1985) in pursuit of his interest in Gypsy life and culture. (Carlos de Wendler-Funaro used several forms of his name; he wrote mostly as Carl de Wendler-Funaro.) The -collection was brought to the attentio...
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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1750-1965
undated
- Size:
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11.35 Cubic feet (consisting of 20 boxes, 8 folder, 30 oversize folders, 17 map case folders, 3 flat boxes (partial), plus digital images of some collection material.)
- Collection ID:
- NMAH.AC.0060.S01.01.Tobacco
- Repository:
-
Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Tobacco Trade and Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Creators:
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Basie, Count, 1904-
Smith, Ernie
Webster, Ben
Armstrong, Louis, 1901-1971
More … - Dates:
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1894-1979
- Size:
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30 Cubic feet (352 film reels , 16 mm)
- Collection ID:
- NMAH.AC.0491
- Repository:
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Archives Center, National Museum of American History
More than 300 reels of 16mm black and white and color film, silent and sound, fiction and documentary motion picture film documenting jazz and related musical performances, social and popular dance styles and performances, jazz musicians, performance locales, and documentation of African-American popular culture. A list of featured performers in the collection is shown below. The films are frequently compilations produced by Smith for lectures.
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- Creators:
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Schiedt, Duncan P., 1921-2014
- Dates:
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1900-2012, undated
- Size:
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65 Cubic feet (124 boxes)
- Collection ID:
- NMAH.AC.1323
- Repository:
-
Archives Center, National Museum of American History
Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.
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- Creators:
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Underwood & Underwood
- Dates:
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1895-1921
- Size:
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160 Cubic feet
- Collection ID:
- NMAH.AC.0143
- Repository:
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Archives Center, National Museum of American History
The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 26-July 7, 1996
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1996
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Curtis, Edward S., 1868-1952
- Dates:
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circa 1895-2001
bulk 1898-1951
- Size:
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86 Linear feet
- Collection ID:
- NAA.2010-28
- Repository:
-
National Anthropological Archives
The Edward S. Curtis papers and photographs, circa 1895-2001 (bulk 1898-1951) primarily relate to Curtis's work on his opus, the North American Indian (NAI), although other subjects are documented as well. The papers relate closely to the Edward S. Curtis papers at the University of Washington Libraries Special Collections (UW), as that collection ...
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- Creators:
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De Land, Colin, 1955-2003
- Dates:
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1968-2008, bulk 1980-2003
bulk 1980-2003
- Size:
-
15.15 Linear feet
0.901 Gigabytes
- Collection ID:
- AAA.delacoli
- Repository:
-
Archives of American Art
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.