This collection consists of 442 copy photographs including color dye coupler photo transparencies and silver gelatin photo-negatives which document U.S. Navy aircraft and aviation activities during World War II. They include aerial combat, aircraft carrier landings and takeoffs, bombings, explosions, flights, and signal exchanges. Aircraft shown in...
This collection contains original material from the Photographic Section of the Army Air Service, American Expeditionary Force (AEF) in World War I. The material was originally assembled by Edward Steichen, Chief of Photographic Section, AEF. The collection includes an article by Steichen on aerial photography in the Army Air Service; histories of ...
The scattered papers of art critic and writer Charles Henry Caffin measure 1.2 linear feet and date from circa 1883-1973, bulk circa 1883-1918. Found within the papers are an interview transcript, two letters, printed materials, one scrapbook, and family photographs dating from circa 1883 to circa 1911, many by noted photographers Arnold Genthe, Frances Benjamin Johnston, Gertrude Käsebier, Edward Steichen, and Alfred Stieglitz. The scrapbook contains Caffin's columns for the New York American, 1913-1915.
The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.
The papers of filmmaker and art historian Judith Wechsler measure 16 linear feet and consist of film production material from several of Wechsler's documentary films released between 1989 and 1994. Most of the collection consists of sound recordings and motion picture film. Documentaries with production material in the collection include Jasper Johns: Take An Object, produced with Hans Namuth, Harry Callahan (1994), Aaron Siskind: Making Pictures (1991), and five episodes of The Painter's World: Changing Constants of Art from the Renaissance to the Present (1989), a six-part television series produced by WGBH in Boston. Episodes of the series for which records are found include "The Training of Painters," "The Arrested Moment," "Portraits," "Abstraction," and "Painting and the Public". Also found are two reels of soundtrack labeled "Two Photographers," a title for which no other documentation is found. Notable content includes interviews with Jasper Johns, Frank Stella, David Hockney, Philip Pearlstein, Joel Meyerowitz, Dominique de Menil, Walter Hopps, Aaron Siskind, and Harry Callahan, found in their unedited state among the original sound recordings. Production elements found include original sound recordings, work print picture and soundtrack, outtakes, various pre-print master material, and video copies of completed works.
The Richard Murray research material regarding mural painting in the United States measures 20.5 linear feet and dates from 1896 to 2006 with the bulk of the material dating from 1970 to 2006. The collection is comprised of Murray's extensive research files, scattered writings, and photographic materials for his life-long research on mural painting in the United States.
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.
This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.