An interview of Steven Englander conducted 2007 Sept. 7 and Oct. 10, by Liza Kirwin, for the Archives of American Art, in conjunction with Artists' Spaces Archives Project, at ABC No Rio, in New York, N.Y.

The records of the New York City gallery James Graham & Sons measure 103.6 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.

The papers of African American painter and former art dealer Peter A. Bradley measure 0.3 linear feet and date from 1966 to 1976 with additional material dating from 2003 and 2014. The papers include correspondence from Klaus Perls, Anthony Caro, Robert Gelfman and attorney Karl S. Lowenthal. Included with correspondence is a recommendation for Bradley written by Klaus Perls. The papers include photographs of Alexander Calder and his family, as well as a photograph of Bradley with Calder's work at Perls Galleries, Bradley with Kenneth Noland and Bradley with Steven Cannon. Printed material consists of a 1971 Picasso exhibition catalog and a 2014 issue of Gulf Coast. Also included are architectural plans and notes for Bradley's studio designed by John Johansen as well as personal financial information.

Photographs, including one with George and Nina Stevens at the 1917 exhibition of Parshall's work at the Toledo Museum, and two photographs of Alexander Harrison's art class in Paris with Parshall, William Hyde, Alexander Harrison, Edward H. Potthast, and Charles Rollo Peters. Also, includes correspondence; notes, some with sketches; writings on pa...

The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.

An interview of Moira Roth conducted 2011 April 22- 24, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History Project, at Roth's home, in Berkeley, California.

47 photographs of 43 artists in their Paris studios. Artists include: Louise Abbema, Albert Aublet, Riene Bellcourt, Jean Beraud, Paul Albert Besnard, Maurice Bompard, Leon Joseph Florentin Bonnat, Gustave Rodolphe Clarence Boulanger, William Adolphe Bouguereau, Frederick Arthur Bridgman, Alexandre Cabanel, Pierre Puvis de Chavannes, Georges Jules ...

An interview with Julie Ault conducted 2017 November 14 and 16, by Theodore Kerr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at a studio in Brooklyn, New York.

These papers include both personal and professional correspondence and documents relating to Peters' academic and curatorial careers. Also included are files of the Division of Reptiles and Amphibians maintained by Peters' predecessor, Doris Mable Cochran (1898-1968). Correspondents include Jorge W. Abalos, M. Acosta-Solis, Kraig Kerr Adl...

The papers of John Evans, 1957-2012, bulk 1970s-2000, measure 7.1 linear feet and 1.00 GB and document the collage artist's involvement with mail art. The vast majority of letters are from mail artists, often with embellished envelopes and include and a digital version of Collected Essays by John Held, Jr. Writings include a thesis about mail art by Marya Trianfellos. Subject files concern art stamps, mail art shows and events, Ray Johnson's death and memorial tributes to him. The most thoroughly documented mail art project, "John Evans Fake Collages," is of unknown origin. In addition, there are a few items relating to projects conceived by Evans and more substantial documentation of projects initiated by Christina Behmenburg, Leslie Caldera, Ryosuke Cohen, Peter W. Kaufmann, Angela and Peter Netmail.