The papers of New York artists Jari "WERC" Alvarez and Geraldine "Gera" Lozano measure 1.3 linear feet and date from 2005 to 2015. Drawings, correspondence, four scrapbooks, and fifteen sketchbooks document Alvarez and Lozano's graffiti and public art careers.

The Murals of Aztlán Film Production Records measures 5.1 linear feet and consists of film footage, sound recordings, and notes from the documentary produced by James Tartan during the exhibition Murals of Aztlán: the Street Painters of East Los Angeles at the Craft and Folk Art Museum, Los Angeles in 1981. Film and sound elements in the collection include original sound recordings, work print, outtakes, and trims. Also found are production notes, museum memorandums concerning the exhibition schedule, and a transcript of a recorded conversation among muralists.

Joellen Bard's, Ruth Fortel's, and Helen Thomas' exhibition records of The Tenth Street Days: The Co-ops of the 50s measure 0.7 linear feet and date from 1953-1977. The collection documents the research for, and organization of, this exhibition held at Amos Eno Gallery, 14 Sculptors Gallery, Noho Galley, Pleiades Galley, and Ward-Nasse Gallery, December 20, 1977 through January 7, 1978. Records consist of a grant proposal and related documentation; printed material including an exhibition catalog and poster; research files including 35-mm color slides and photographs; and 2 scrapbooks containing biographical information, printed matter, and photographs of works of art relating to the corollary exhibition, Tenth Street in 1977.

The Robin Forbes Slides of SoHo collection measures 0.4 linear feet and consists entirely of 35mm color slides of the SoHo District of New York City, taken between 1975-1976. Depicted are street scenes of Spring Street, Prince Street, West Broadway, and other streets in SoHo; SoHo faces taken on West Broadway; businesses including the Spring Street Bar, the OH HO SO bar, Fanelli's Bar, Parocelso, The Cheese Store, Clockmaker/Miso, and the SoHo Weekly News staff; gallery installations, including Robert Morris and Robert Smithson exhibitions; artists working in SoHo studios including Margery Bihan, Rosemarie Castoro, Marisol, and unknown artists, and dance performances and poetry readings.

The papers of painter and commercial artist Charles "Chaz" Bojórquez measure 5.9 linear feet and 98.44 GB and date from 1956 to 2017. The collection documents Bojórquez's career as an artist through professional files, writings and notes, project books, printed and digital material, artwork, and photographic material.

The interviews of AfriCOBRA founders measure 0.607 gigabytes and date from 2010. This collection includes digital transcripts and audio files of interviews with AfriCOBRA founders Michael Harris, Jae Jarrell, Wadsworth Jarrell, Napoleon Jones-Henderson, Barbara Jones-Hogu, Carolyn Lawrence, Howard Mallory, and Robert Sengstacke.

The records of the Area Gallery measure 1.1 linear feet and date from 1958-1977 (bulk dates 1959-1964). Area Gallery was one of the Tenth Street Co-ops in New York City, and operated from 1958-1965. Materials in this collection include artist bios, price lists, black and white photos of artwork; financial records with annotations; member lists, exhibition lists, and daily notes; gallery sign-in sheets; correspondence, including letters to and from the gallery and regarding rent issues; and an extensive scrapbook containing exhibition posters, photos of artwork, announcements, exhibition reviews, and clippings.

This accession consists of records created and maintained by Kerry Brougher, Chief Curator, documenting the planning, execution, and press coverage of the exhibition, Open City: Street Photographs Since 1950. Materials include clippings, correspondence, memoranda, floor plans, label text, press releases, brochures, promotional materials, ...

This accession consists of three websites and one blog maintained by the Smithsonian Institution Traveling Exhibition Service. The "Museum on Main Street" website, crawled December 27, 2017, promotes a program of the same name which helps bring the Smithsonian Institution to small towns across America. The website includes information about t...

One carbon print, circa late 19th or early 20th century, with title, photographers' credit and reference number 2292 in the negative, appearing on the print in white on the lower left and right corners. Depicts a street scene in Bhoondi (probably Bundi), with hills in the background and Indian architecture and people in the foreground.