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Creators:
Cover, Jack
Meyer, Greg
Dates:
1946 - 2009
Size:
0.3 Cubic feet (1 box )
Collection ID:
NMAH.AC.1311
Repository:
Archives Center, National Museum of American History

Papers relating to the invention, development, use, and popularization of the Taser, a nonlethal weapon invented by Jack Covers.

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Dates:
[circa 1904-1919]
Size:
101 photographic prints ((1 box), black & white, 18 x 30 cm. or smaller)
Collection ID:
EEPA.2002-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Linen covered family album of dark-brown album stock with 24 page and 101 photographic images ranging from small silver gelatin to large toned albumen ones. There are also several postcards and a pencil-drawing showing the owner on the last page. The album was compiled by the German merchant Paul Schaff, who lived and worked in German East-Africa (now Tanzania) in the years between c. 1904-1915. According to an entry in the album, he was awarded the Iron Cross 1st class for serving as a machine gun gunner under the command of General Lettow-Vorbeck in WWI in East-Africa, when the British fought the Germans and ultimately took over the region. According to a caption and a picture in the album, Schaff returned to Germany in 1919. The captions of the images give several locations in Tanzania, typical for the travels of somebody who worked in the colony. There is a caption under a postcard of a street in Dar es Salaam stating "Daressalam, my old domicile." Other photographs show Schaff in Tanga (1904), in Bukoba (1909), and in Kifumbiro as a soldier (1915). The photographs reflect various subjects to include landscapes (Lake Victoria), towns (Dar es Salaam) personal experiences (such as a Christmas celebration), and Africans. Among the latter are stunning high quality depictions of the Luo, here referred to by the German ethnological term Wagaia, and Maasai with an emphasis on dress and adornment. Another set of pictures shows life in a German military post. There are a few, large albumen prints towards the end of the album, which seem to depict German South-West Africa --judging by the dress of women in two images. These photographs might have been presents. Perhaps the owner of the album took a trip to that colony. Inscribed on the album cover are the words, "Zur Erinnerung an Deutsch-Ost-Afrika" [In memory of German East Africa] and a Maasai shield drawn in china ink and colors in the lower corner of the cover. On one of the last pages, there is the halftone color print of a bugle playing Askari, captioned "Deutsche vergesst nicht Eure Kolonien" [Germans do not forget your colonies]. The pencil portrait of the owner on the last page concludes the story line.

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Creators:
Wildschut, William
Dates:
1870-1930
bulk 1917-1928
Size:
183 Negatives (photographic)
21 Photographic prints
Collection ID:
NMAI.AC.001.033
Repository:
National Museum of the American Indian

The William Wildschut photograph collection contains 183 photographic negatives, and 89 post cards. From 1917 to 1928 William Wildschut studied the Apsáalooke people through interviews, photography, and the collection of cultural objects. In 1921 Wildschut was hired as a field man by George Gustav Heye the director of the Museum of the American Indian, Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum until 1928. Wildschuts photographs include portrait style photos of Apsáalooke people, special events, daily reservation life, interments, and encampments. Tribes represented in this collection are primarily Apsáalooke, the postcard collection consists of other tribes including Lakota, Arapaho, and other unidentified tribes.

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Creators:
Washington, Rico, Music Journalist
Yanagawa, Shino, Photographer
Dates:
2009-2011
Size:
4 Linear feet (2 boxes; 4 linear ft., 3.58 GB)
Collection ID:
ACMA.06-103
Repository:
Anacostia Community Museum Archives

An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.

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Creators:
Princeton University
Dates:
1863-1950
Size:
135 Cubic feet (10,690 posters)
Collection ID:
NMAH.AC.0433
Repository:
Archives Center, National Museum of American History

Primarily war-related posters.

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Creators:
DeCorse, Christopher
Dates:
1978-1987
Size:
2363 slides (photographs) ((6 v.), color)
2,363 color copy slides
Collection ID:
EEPA.1993-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Christopher DeCorse during his travels in Ghana, Gambia, Senegal, Mali and Cote d'Ivoire.

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Creators:
Institut für den Wissenschaftlichen Film (Göttingen, Germany)
Dates:
1926-1973
Size:
983 Film reels (176 hours 39 minutes, black-and-white color silent sound, 16mm)
Linear feet
Collection ID:
HSFA.2006.02
Repository:
Human Studies Film Archives

Titles from IWF's Encyclopaedia Cinematographica of ethographic films ranging in dates from 1926 to 1973. Collection includes German language study guides for each film. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its ...

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Creators:
Garden Club of America
Dates:
circa 1920-present
Size:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Collection ID:
AAG.GCA
Repository:
Archives of American Gardens

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 Negatives (photographic) (b&w, 35mm)
30000 Slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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