This accession consists of program records created and maintained by Gary Sturm, Assistant Chair, Division of Cultural History, that document his work on the planning and execution of programs, concerts, festivals, symposiums, workshops, and performances at the National Museum of American History and other venues. Sturm studied mathematics at Beloit …
This accession consists of exhibition records created and maintained by Gary Sturm, Assistant Chair, Division of Cultural History, that document his work on the planning and execution of exhibitions at the National Museum of American History and other institutions. Sturm studied mathematics at Beloit College and pursued European Studies at …
Albert F. Moglie Violinists and Violin-Making Collection
Harris & Ewing
The largest number of items in the collection are publicity portrait photoprints, autographed by the subjects and presented to Albert Moglie; obviously they were professional musicians for whom Moglie did repair and restoration work. Most of the musicians are violinists, such as Fritz Kreisler and Rubinoff, although cellists, including Pablo …
This accession consists of program records documenting accepted applicants for fellowships, research positions, and internships at the Smithsonian Institution, with earlier records dating back to when the Office of Fellowships and Internships was known as the Office of Fellowships, the Office of Research and Training Services, the Office of Fellowships …
Carnegie Institute, Museum of Art records
The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.
Alexander Liberman papers
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.
This accession consists of staff project files pertaining to internal grants made to National Museum of American History (NMAH) staff for the development and execution of projects. Materials include proposal guidelines, original grant proposals, correspondence and notes, progress reports, financial transfer documentation, and research information.
This accession consists of correspondence documenting the research of Diptera (flies), specimen identification and loans, and professional activities of F. Christian Thompson. Some materials predate 1963, when the department was the Division of Insects. Materials include correspondence, notes, drawings, memoranda, agreements, proposals, brochures, floor plans, news clippings, publications, proposals, reports, and …
Betty Parsons Gallery records and personal papers
The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.
Smithsonian Folklife Festival records: 2015 Smithsonian Folklife Festival
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.