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- Creators:
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Swarzenski, Hanns, 1903-1985
- Dates:
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1942
- Size:
-
1 Item ((on partial microfilm reel))
- Collection ID:
- AAA.swarhann
- Repository:
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Archives of American Art
Swarzenski's "The art museum is in the doghouse," an annotated essay commenting upon Sanford Low's pamphlet, THE MUSEUM AS A SOCIAL INSTRUMENT.
Found In
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- Creators:
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Sayre, Eleanor A.
Brown, Robert F.
- Dates:
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1993 April 19-1997 January 10
- Size:
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213 Pages (Transcript)
- Collection ID:
- AAA.sayre93
- Repository:
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Archives of American Art
An interview of Eleanor Sayre conducted 1993 April 19-1997 January 10, by Robert F. Brown, for the Archives of American Art.
Found In
Perry Townsend Rathbone papers
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- Creators:
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Rathbone, Perry Townsend, 1911-2000
- Dates:
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1929-1985
- Size:
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4.3 Linear feet (5 boxes, 1 OV)
- Collection ID:
- AAA.rathperr
- Repository:
-
Archives of American Art
The papers of museum director Perry Townsend Rathbone measure 4.3 linear feet and date from 1929 to 1985. The papers document Rathbone's career as museum director of the City Art Museum of St. Louis and the Boston Museum of Fine Arts, and his later work with Christie's New York office. Found within the papers are biographical materials, correspondence with friends and colleagues, writings, professional and project files, printed materials, and photographs, mostly of exhibitions.
Found In
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- Creators:
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Catherine Viviano Gallery
- Dates:
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1930-1990
bulk 1949-1978
- Size:
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11.6 Linear feet
- Collection ID:
- AAA.cathvivi
- Repository:
-
Archives of American Art
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.