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- Creators:
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Lansner, Fay
- Dates:
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1948-1972
- Size:
-
0.2 Linear feet ((32 items))
- Collection ID:
- AAA.lansfay
- Repository:
-
Archives of American Art
A list of 141 works by Lansner, stating the medium, dimensions, date painted, date sold, and location; 2 bibliographies of articles by and about Lansner; 2 photographs of Lansner; a resume of exhibitions; 9 clippings; 17 catalogs; and 3 pages of notes from a class taught by Hans Hofmann in 1948.
Found In
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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circa 1792-1952
- Size:
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4.71 Cubic feet (consisting of 9 boxes, 5 folders, 13 oversize folders, 1 map case folder, 3 flat boxes (partial), plus digital images of some collection material. )
- Collection ID:
- NMAH.AC.0060.S01.01.Furniture
- Repository:
-
Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Furniture and Furnishings forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
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- Creators:
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Jacques Seligmann & Co
- Dates:
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1904-1978
bulk 1913-1974
- Size:
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203.1 Linear feet
- Collection ID:
- AAA.jacqself
- Repository:
-
Archives of American Art
The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.