Front and profile studio portraits of Mexican Indians, representing Aztec, Chinantec, Chocho, Chol, Chontal, Cuicatec, Huastec, Huave, Maya, Mazatec, Mixe, Mixtec, Otomi, Tarascan, Tepehua, Tlaxcalan, Totonac, Trique, Tzental, Tzotzil, Zapotec, Zapotec Tehuartepec, and Zoque tribes. The photographs were made by William L. Koehne of Chicago for publ...
Enlargements of photographs made by Donald Bush Cordry during his time in Mexico. These were mounted for a 1970s Bellas Artes-sponsored traveling exhibit based on Cordry's collection of Mexican Indian costumes. Included are images of Mexican Indians, fiestas and dances, pottery, boats, weaving, spinning, masks, vendors and markets, churches, and ...
George Hubbard Pepper specialized in the study of cultures of the American Southwest and Ecuador. Tribes which he studied are Acoma, Aztec, Blackfeet, Cochiti, Hopi, Isleta, Jemez, Laguna, Nambe, Navajo, Picuris, Pojuaque, Puye, San Carlos Apache, San Felipe, San Ildefonso, San Juan, Sandia, Santa Ana, Santa Clara, Taos, Tarascan, Tesuque, Ute, Zia, and Zuni. Photographs in the collection are of an excavation in Tottenville, New York, 1895; Pueblo Bonito in Chaco Cañon, New Mexico: Hyde Expedition, 1896-1900; and expeditions to the occupied Pueblos of the Southwest, 1904; Mexico, 1904, 1906; Guatemala; and Ecuador, 1907. There are also photos which complement a study Pepper did of the technique of Navajo weaving, and miscellaneous scenic and personal photos.
The collection includes materials from cultures in the United States, Mexico, Brazil, Guatemala, Colombia, Ecuador, and Guiana: Acoma Pueblo, Apache, Arapaho, Arikara, Assiniboine, Caddo, Cahuilla, Cherokee, Cheyenne, Chibcha, Chinantec, Chippewa (Ojibwa), Choco, Chol, Chontal, Cochiti Pueblo, Crow, Cuicatec, Eskimo, Flathead, Haida, Hopi, Huastec, Huave, Iowa, Iroquois, Isleta, Karaja, Kwakiutl, Laguna Pueblo, Macusi, Mandan, Maya, Mazahua, Mazatec, Mehinaku, Menomini, Mixe, Mixtec, Navajo, Nez Perce, Osage, Otomi, Ottawa, Pawnee, Pima, Ponca, Potawatomi, Salish, San Blas, San Felipe Pueblo, Sauk & Fox, Shuar, Sioux, Taos Pueblo, Tarasco, Teotihuacan, Tepehua, Tlaxcala, Tlingit, Tonkawa, Totonac, Triqui, Tzental, Tzotzil, Ute, Wampanoag, Zapotec, Zoque, Zuni.
Five boxes containing sixty-four 5 inch and fifteen 7 inch open reel tapes recorded primarily by American herpetologist Charles M. Bogert from 1953-1965. This collection has two parts: the first focusing mainly on traditional music and liturgical music from several regions in Mexico: Oaxaca, Jalisco, Nayarit. Also included is music recorded in the Southwestern United States. The second portion of the collection contains amphibian, bird, and insect calls and choruses, mostly from these same regions in Mexico, the Southwestern, Western, and Southern United States, and Sri Lanka.
Images consist mostly of portraits of the indigenous people in the Mexican states of Michoacán, Guerrero, Nayarit, Sinaloa, Oaxaca, Chiapas and Veracruz. The collection primarily contains images of Wikarika (Huichol) people, but includes images of the Purepecha (Tarasco), Guerrero Nahua, Chinantec [Chinantla], Zoque, Otomí (Otomi), Tzotzil Maya, Yoreme (Mayo) and Zapotec peoples.
Photography taken by MAI staff photographer Carmelo Guadagno during a research project expedition with Lewis Krevolin on behalf of the Museum of the American Indian, Heye Foundation in March of 1973. The project focus was pottery making techniques in various Indigenous settlements across Mexico in support of the 1976-1977 exhibition "Traditional Pottery of Mexico."
This collection contains photographic prints and copy negatives taken by Ales Hrdlicka in Arizona and Mexico between 1898 and 1902. The majority of the photographs were donated by George Pepper to the Museum of the American Indian, Heye Foundation in 1923. Native communities that Hrdlicka photographed during his research include--Purepecha (Tarasco), Yoeme (Yaqui), Hualapai (Walapai), Havasupai (Coconino), Piipaash (Maricopa), Mojave (Mahave), Tohono O'odham (Papapgo), Quechan (Yuma/Cuchan), Tepecano, Akimel O'odham (Pima), Opata, Cora, Seri, Wixarika (Huichol), Nahua, Otomi and Yoreme (Mayo). Ales Hrdlicka (1869-1943) was born in the Czech Republic moved to the United States in 1881. Hrdlicka became known as the "Father" of Physical Anthropology and worked at the U.S. National Museum (now the National Museum of Natural History).
This collection consists primarily of papers documenting the professional career and personal life of Edward William Nelson. A smaller amount of material was created by Edward Alphonso Goldman and relates to both professional and private matters. Apparently, Goldman assumed control of Nelson's papers after the latter's death, probably for...
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.