Large collection of photographs, picture postcards, printed ephemera, and music related to the brass band movement in the United States: includes 8 ambrotypes, 36 tintypes, 59 stereographs, 66 cabinet prints, 90 cartes-de-visite, 150 large photoprints, and 874 picture postcards; also posters, concert programs, instrument manufacturers' advertisemem...

Photographs documenting 18th and 19th century textiles from New Hampshire and Finland; clothing and fashion in Tuscany and London; gourd and agave cultivation; and early English seals. The photographs and published pages appear to have been collected in the department for transfer to other departments and divisions; the transfers, however, were nev...

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Includes sheets with catalog data (name of fabricator, location, identification of pice, date of purchase, cost, collector, and notes) together with photographs of the fabricator with some of their products. There is also a report of the work, an essay on Notheast Thai Textiles, and a map with a key to locations. There are also photographs of the B...

Photographs made or collected by Mary Lois Kissell as part of her research relating to textiles, basketry, and American Indians. The images document textile and basket weaving patterns, Salish Indians, and a Wichita dwelling.

The collection consists of 17 color photographic prints and (23) 35mm negatives which were taken in Sierra Leone in 2003, which focus on textile manufacture, specifically needlepointed carpet slippers worn by the Krio women of Freetown.

Photographs documenting Shipibo people and the process of making pottery and textiles, including examples of finished products. Some images depict David E. Williams and Sandra D. Bissell, collectors of Shipibo artifacts. The collection also includes cards with detailed information about specimens donated by Williams and Bissell to the Department of...

Photographs taken by Victoria Scott from 1969 to 1979 in Nigeria to document Nigerian art, in particular works at the Oshogbo school, while teaching and working as a visual artist at the Jebba Technical College. Photographs are of artists and their works. Scott used the images in her courses on Nigerian art at the college. The photographs document drawings, graphic prints, paintings and textiles of the Oshogbo school of artists. There are photographic reproductions of the following works: Elephant by Nike; Elmina Castle by Kwe Ade Odus; Free Yourself and See Yourself by Twins Seven-Seven; Mamiwata VoyiboII by Bruce Onobrakpeya; Obatala and his Wife by Joseph Olu-Billy; Ogun, God of Iron by Sam Babarinsa; Reindeer by Jimoh Buraimoh; The Secret Life of the Twins of Nigeria by Asiru Olatunde; and Yam Festival Masquerade by Adebisi Fabunmui. Also included within the collection are images of artists at work and the town in which they live. People portrayed include artist Adebisi Fabunmi; a blacksmith at work in Kaduna, Nigeria; and potters in Gahana. Images of the towns include a market in Abeokuta, Nigeria; a Portuguese fort in Cape Coast, Ghana and an Osun (deity) shrine in Oshogbo.

The Shirley Z. Johnson Papers, dating from 1979-2015, measure 4 linear feet and include an inventory, correspondence, and research files related to Johnson's collection of Chinese textiles.

This accession consists of flag files created and maintained by the Division of Home and Community Life. The flag files consist of research and documentation of the various versions of the United States flag as well as textile examinations of flags conducted by curators. Staff represented included Katherine Dirks, associate curator; Rita ...