Warshaw Collection of Business Americana Subject Categories: Textiles
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Oral history interview with Will Stokes
An interview of Will Stokes conducted 1990 June 20, by Jack Lindsey, for the Archives of American Art Philadelphia Project.
Arabella Chandler McClintock Bellamy art works
The microfilmed Arabella Chandler McClintock Bellamy art works contain mounted and unmounted designs for printed fabrics; samples of printed fabric; and designs for costumes done in pen and ink.
This accession consists of records documenting the activities of the Textiles Department. Major topics include finance and loans. Materials include correspondence, memoranda, reports, and related materials. Some materials are in electronic format.
Mildred Constantine Papers
The papers of Mildred Constantine measure 5.3 linear feet and are dated 1945-2009. Subject files, writings, photographs, and a scrapbook provide an overview of her curatorial work in the Architecture and Design department of the Museum of Modern Art, and subsequent activities as an independent curator, and art consultant. Especially well documented is Whole Cloth, a book written with Laurel Reuter that presents an historical overview of how artists have used cloth in their work.
This accession documents the development, planning, and execution of exhibitions curated by the Textiles Department during the tenure of Matilda McQuaid, Curator, 2002- , and Susan Brown, Assistant Curator, c. 2001- . Exhibitions documented in this accession include Extreme Textiles: Designing for High Performance; Design Life Now: National Design Triennial; Solos: Tulou/Affordable Housing …
These records consist of departmental correspondence and office memoranda from 1976 to 1991. Files for 1984 and 1988 are missing. The records were created mostly by Milton Sonday and Gillian Moss, and concern subjects such as exhibition loans, textile scholarship, catalogs and publications, public inquiries, the donation and acquisition of objects, research on collections …
Manuela Fuller photographs of textiles and scenes from Sind and Baluchistan
Mounted exhibit photographs and photographs used in the catalog for the "Folk Craft of Baluchistan and Sind" exhibit, co-written by Neyyar Hassan, at the Pakistan-American Cultural Centre in Karachi, Pakistan, 1968. The collection mostly consists of images of highly decorated textiles and clothing from Sind and Baluchistan, Pakistan, as well as …
Trude Guermonprez collection
This archive includes interesting documents related to Trude Guermonprez's life and work as a weaver. The archives are especially related to the designer's work for her major clients, like Holland America Line and Owens Corning Fiberglass; other pieces in this archive are related to Guermonprez's work for custom curtains made for major synagogues and her designs, interior fabrics, screens and rugs realized in conjunction with J.P. Oud, Architects Associated, New York; Eric Mendelsohn, Warren Callister, etc. The correspondence and the photographs in this collection provide insight into the designer's private life. Included in this collection are press articles, brochures, correspondence, postcards, photographs, color slides, notebooks, textiles, and textile wood patterns.
Lucille Chaveas collection
23 Negatives (35mm)
The collection consists of 17 color photographic prints and (23) 35mm negatives which were taken in Sierra Leone in 2003, which focus on textile manufacture, specifically needlepointed carpet slippers worn by the Krio women of Freetown.