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Creators:
National Museum of African Art. Office of the Director
Dates:
1980-2008
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 09-011
Repository:
Smithsonian Institution Archives

This accession consists of National Museum of African Art (NMAfA) exhibition records created during the tenures of Warren M. Robbins, Director, 1964-1982; John E. Reinhardt, Acting Director, 1982-1983; Sylvia H. Williams, Director, 1983-1996; Roslyn A. Walker, Director, 1997-2002; and Sharon F. Patton, Director, 2003-2008. Exhibitions include:...

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Creators:
National Museum of African Art. Curatorial
Dates:
1981-2011
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...

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Creators:
Fleck, Joseph A.
Dates:
1931-1970
Size:
13 Items ((on 1 partial microfilm reel))
Collection ID:
AAA.flecjose
Repository:
Archives of American Art

Clippings, an exhibition announcement and catalog relating to Fleck's exhibition at Galerie Bernheim Jeune, Paris, 1931; a magazine article about Fleck and the Taos art colony; and Fleck's obituary.

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Creators:
Century Association (New York, N.Y.)
Dates:
1829-1958
Size:
2 Microfilm reels
Collection ID:
AAA.centasso
Repository:
Archives of American Art

A partial selection of Century Club records including exhibition records, miscellaneous notes on exhibitions, exhibition catalogs and a small group of correspondence.

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Creators:
Grosser, Maurice, 1903-1986
Dates:
[undated] and 1919-1983
Size:
1.9 Linear feet
Collection ID:
AAA.grosmaur
Repository:
Archives of American Art

Correspondence, writings, artwork, printed material, and motion picture film.

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Creators:
Campbell, Louisa Dresser, 1907-1989
Dates:
1934-1935
Size:
0.2 Linear feet
Collection ID:
AAA.dresloui
Repository:
Archives of American Art

Carbon of the manuscript of a catalogue for an exhibition "Seventeenth Century Painting in New England," compiled and edited by Dresser for an exhibition held at the Worcester Art Museum in collaboration with the American Antiquarian Society, July-August 1934. Included are a report by Alan Burroughs on X-ray examination of the paintings on exhibit ...

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Creators:
Cohen, Arthur A. (Arthur Allen), 1928-1986
Cohen, Elaine Lustig, 1927-
Ex Libris (Firm)
Dates:
1973-2007
Size:
2 Linear feet
Collection ID:
AAA.exlibr
Repository:
Archives of American Art

The records of Ex Libris measure 2.0 linear feet and date from 1973-2007. Ex Libris was a New York City based antiquarian establishment that dealt in rare 20th century avant-garde books and periodicals, and was founded by Elaine Lustig Cohen and her husband Arthur A. Cohen. The records include professional files, sales records, printed material, and photographic material.

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Creators:
Hull, David Stewart
Dates:
1983-1988
Size:
1 Linear foot
Collection ID:
AAA.hulldavi
Repository:
Archives of American Art

David Stewart Hull's research files pertaining to the 1986 New York Historical Society's (NYHS) exhibition on artist James Henry Cafferty and research files for an unrealized exhibition on William Winner.

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Creators:
Pollock, Jackson, 1912-1956
Dates:
[ca. 1935]
Size:
1 Item ((on 1 microfilm reel))
Collection ID:
AAA.polljacl
Repository:
Archives of American Art

A letter to Rita [Benton], n.d., saying that he painted a "pretty good plate" that cracked in the fire, and that he will make and send another. He mentions Christmas dinner and wishes a happy New Year. He adds that Tolegian just painted "the best thing he ever did- a moon scene with stars."

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Creators:
Breeskin, Adelyn Dohme, 1896-1986
Dates:
circa 1934-1986
Size:
2.5 Linear feet
Collection ID:
AAA.breeadel
Repository:
Archives of American Art

The papers of Baltimore, Maryland, and Washington D.C. art historian and museum curator Adelyn Dohme Breeskin, measure 2.5 linear feet and date from circa 1934-1986. The papers provide scattered documentation of Breeskin's career, focusing on writings and lectures delivered in the United States and abroad, and briefly documenting her work as an art exhibition juror, as a consultant, and as a teacher of a community art course. The collection also includes papers documenting some of Breeskin's research on Loren MacIver, Mary Cassatt, and others, and is comprised of biographical material, personal and professional correspondence with artists, friends, and colleagues, manuscript and lecture notes and drafts, professional files, sound recordings, and a few photographs.

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