The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
The collection consists of daily programs for the Strand Theatre in Ipswich, Massachusetts.
The collection relates to the Slover Family of puppeteers, and documents their lives and activities as they traveled the country with their show.
The collection consists of motion picture exhibition ephemera (lantern slides, publicity photographs, and paper) saved by Robert L. Sardino during his years working in motion picture theaters in Syracuse, New York.
One of the most comprehensive collections of material relating to musical stage and film productions, the collection consists of an assortment of material including sheet music written specifically for or included in stage and screen musicals, television programs, Big Band performances, and radio. Some productions may have been produced under more ...
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Theater forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
This collection, which dates from circa 1974-2003, contains approximately 120 playbills and programs relating to black theater in Washingon D.C., including memorabilia from Arena Stage and the Kennedy Center. One playbill bears the autograph of Debbie Allen. Also present are magazines, newspaper clippings, posters, photographs of community events and 23 record albums. The albums include performances by Richard Pryor and various soul and R&B singers.
This collection consists of 49 photographs taken by Brosius during his World War II career. The prints cover the following topics: the Japanese Surrender Delegation, Ie Shima, 1945, (with Douglas C-54 and Mitsubishi G4M in background); scenes from occupied Japan; derelict Japanese aircraft; nose art on Consolidated and North American aircraft; and ...
Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.
This accession consists of three websites maintained by the Smithsonian Associates. The primary Smithsonian Associates website, crawled June 16, 2015, includes a general overview of its continuing education programs and serves as the ticketing portal for individual programs. The Civil War Studies website, crawled June 19, 2015, uses photogra...