Query: Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Exhibition Records
Creators:
National Museum of American Art. Curatorial Department
Dates:
1989-1995
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 95-123
Repository:
Smithsonian Institution Archives

This accession consists of the records of the National Museum of American Art (NMAA) curatorial office for the exhibitions The West as America: Reinterpreting Images of the Frontier, 1820-1920 (March 15-July 7, 1991) and Thomas Cole: Landscape into History (March 18-August 7, 1994, at NMAA venue). William Truettner, Senior Curator at NMAA (1990- ) served as curator-in-charge …

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in Accession 95-123 for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Exhibition Records
Creators:
National Museum of American Art. Office of Design and Production
Dates:
1966-1995
Size:
125 oversize drawings.
Collection ID:
Accession 96-132
Repository:
Smithsonian Institution Archives

This accession consists of design plans for exhibits at the National Museum of American Art (NMAA). Exhibits include: Free Within Ourselves: African American Art from the National Museum of American Art, 1994-1995; The Arts and Crafts Movement in California: Living the Good Life, 1993-1994; American Wicker: Woven Furniture from 1850-1930, 1993; Thomas Cole: Landscape …

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in Accession 96-132 for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Exhibition Records
Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1989-1996
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 99-076
Repository:
Smithsonian Institution Archives

This accession consists of exhibition files. Materials include checklists; condition reports; budget, shipping, and insurance records; lender files; and general correspondence. Exhibitions include: Metropolitan Lives: The Ashcan Artists and their New York, 1896-1917, Thomas Cole: Landscape into History, and The West as America: Reinterpreting Images of the Frontier, 1820-1920. Records also include …

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in Accession 99-076 for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Records
Creators:
National Museum of American Art. Office of Design and Production
Dates:
1967-1996
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 96-131
Repository:
Smithsonian Institution Archives

This accession consists of records which document planning for exhibitions at the National Museum of American Art (NMAA). Also included are records pertaining to departmental issues in the museum. Materials consist of general correspondence, memoranda, and notes; correspondence of David B. Keeler, Chief of Design and Production, 1973-1985; exhibition design concepts …

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in Accession 96-131 for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.06 for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
More …
Dates:
undated
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.01 for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Weir family papers
Creators:
Weir family
Dates:
1809-circa 1961
bulk 1830-1920
Size:
0.8 Linear feet
Collection ID:
AAA.weirweir
Repository:
Archives of American Art

The papers of the prominent New York and Connecticut Weir family of artists measure 0.8 linear feet and date from 1809-circa 1961, with the bulk of the material dating from 1830-1920. The papers are a collection of correspondence and photographs that constitute a small but vivid record of the influence and relationships of this family of Hudson River School, landscape, and miniature painters. Correspondence consists primarily of letters to painter John Ferguson Weir when he was director of the Yale School of Fine Arts, with scattered letters to his daughter Edith Weir (Perry), and a small amount of correspondence of Robert Weir, his daughter Carrie M. Mansfield, son-in-law Lewis William Mansfield, and Julia Bayard. Letters to John F. Weir are from many late-19th century artists, as well as actors, poets, lawyers, scholars, and clergymen, often concerning arrangements for visiting lectures at the school. Photographs are of Robert Walter Weir, Susan Bayard Weir, Julian Alden Weir, and artwork.

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in AAA.weirweir for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Fendrick Gallery records
Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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in AAA.fendgall for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Department of Anthropology records
Creators:
National Museum of Natural History (U.S.). Department of Anthropology
Smithsonian Institution. Department of Anthropology
Smithsonian Institution. United States National Museum. Department of Anthropology
Dates:
1840s-circa 2015
Size:
330.25 Linear feet (519 boxes)
Collection ID:
NAA.XXXX.0311
Repository:
National Anthropological Archives

The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.

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in NAA.XXXX.0311 for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
Simon Ottenberg photographs of Limba and Afikpo Peoples
Creators:
Ottenberg, Simon
Dates:
between 1978-1992
Size:
3145 Slides (photographs) (color)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection primarily includes photographs of Limba peoples taken by anthropologist Simon Ottenberg during field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, and Guinea, from October 1978 through July 1980. The collection also includes photographs taken while conducting field research at an Afikpo village-group, in southeastern Nigeria, from January 30, 1988 to February 5, 1988 and in 1992.

Digital Content Available

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in EEPA.2005-001 for Thomas Cole: Landscape into History (Exhibition) (1994: Washington, D.C.)
70 records — Page 1 of 7