12 records — Page 1 of 2
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Creators:
National Museum of American History. Archives Center
Dates:
circa 1985-1993
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 98-129
Repository:
Smithsonian Institution Archives

This accession consists of the records of Fitzroy Thomas. Materials include Duke Ellington Collection budget information; Thomas' correspondence and memoranda; meeting minutes; information documenting the Duke Ellington Collection program; Oral History Project information; articles on Ellington and those associated with him; and photographs.

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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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Creators:
Beach, Chester, 1881-1956
Dates:
1846-1999
bulk 1895-1999
Size:
7.32 Linear feet
Collection ID:
AAA.beacches
Repository:
Archives of American Art

The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.

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Creators:
National Zoological Park, Dept. of Zoological Research
Dates:
1960-2000
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 11-167
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Devra G. Kleiman documenting interactions with scientists, students, educators, and Dept. of Zoological Research staff. Kleiman served as Scientist, 1972-1982; Acting Assistant Director for Animal Programs, 1982-1983; Assistant Director for Animal Programs, 1983-1984; Assistant ...

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Creators:
Stewart, Robert G. , 1931-2005
Dates:
1952-2004
bulk 1970-1990
Size:
3 Linear Feet
Collection ID:
NPG.CAP.00002
Repository:
National Portrait Gallery

Research material gathered by Robert G. Stewart on Robert Edge Pine, Auguste Hervieu, Henry Benbridge, James Earl, and other artists, including correspondence, printed matter, notes, and photographs.

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Creators:
National Portrait Gallery, Office of Exhibitions
Dates:
1974-1976
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 99-106
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records pertaining to "The Dye is Now Cast: The Road to American Independence," an exhibition at the National Portrait Gallery (NPG) from April 19-November 16, 1975. Materials include photographs, loan agreements, correspondence, memoranda, notes, scripts, labels, and reports.

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Creators:
Woodward, Sidney C., 1890-1963
Dates:
1823-1963
bulk 1915-1932
Size:
3.5 Linear feet
Collection ID:
AAA.woodsidn
Repository:
Archives of American Art

The papers of art critic, editor, and gallery director Sidney Woodward date from 1823 to 1963, bulk 1915-1932, and measure 3.5 linear feet. The majority of the collection consists of personal and professional correspondence and collected letters that pertain to Woodward's relationships with various artists, galleries, and arts organizations. Also included in this collection are two biographical documents; lecture notes and collected writings; printed material including books relating to the topic of art, exhibition catalogs, and newspaper clippings; a few personal photographs and reference photographs of paintings; and scrapbooks containing newspaper clippings, art reproductions, and printed material from the Casson Galleries.

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Creators:
Jaccaci, Augusto Floriano, 1857-1930
Dates:
1889-1935
bulk 1904-1914
Size:
7.2 Cubic feet
Collection ID:
AAA.jaccaugu
Repository:
Archives of American Art

The papers of art historican August Jaccaci measure 7.2 linear feet and date from 1889 to 1935, with the bulk of the material dating from 1904 to 1914. The collection documents Jaccaci's work as an art historian, writer, and editor, primarily during the period he researched, compiled, and published his book Noteworthy Paintings in Private American Collections. More than one-half of the collection consists of extensive correspondence to and from many notable artists, collectors, and art historians, including John La Farge, Kenyon Cox, Isabella Stewart Gardner, and Bernard Sickert concerning the research and publication of the book. The papers also house legal files, writings and notes, art collection research files, and photographs of artwork.

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Creators:
Cook Labs
Cook, Emory, 1913-2002
Dates:
1908-2002, bulk 1948-1965
Size:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Collection ID:
CFCH.COOK
Repository:
Ralph Rinzler Folklife Archives and Collections

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
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Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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12 records — Page 1 of 2