Study Collection PUCINELLI ROBBINS, Lydia
0 items (ephemera )
The collection consists of ephemera related to the Museum of African Art (now the Smithsonian National Museum of African Art) and 7 photographic prints. Ephemera includes monographs, clippings, exhibition invitations, the original prospectus for the Museum by Warren Robbins (1963), and a page of remarks delivered by Paul Tishman at the "Tribute …
Jerry Thompson Collection
86 Transparencies (8 x 10 in)
206 Negatives (8 x 10 in)
196 Prints (8 x 10 in)
1 Slide (35 mm)
Collection contains transparencies, negatives, prints, and slides that depict the Paul and Ruth Tishman collection at a Metropolitan Museum of Art exhibition, circa 1980, and (1) copy of the book "For Spirits and Kings: African Art from the Tishman Collection" (1981), edited by Susan Vogel.
International Exhibition Foundation study photographs
Photographs of art objects from the International Exhibition Foundation. Photographed art objects include, "Dogon Art," from the Lester Wunderman collection; "Sculpture of Black Africa," from the Paul Tishman collection; and, "African Sculpture," by William Fagg.
This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic format. Exhibitions documented in this accession include …
Barbara Jarocki collection
1 Postcard (color)
2 Photographs (color, 5 x 7 inches)
The collection consists of one postcard and 67 photographs documenting the installation for and art objects in the exhibition "African Art from Nigeria and the Ivory Coast" (April 6-25, 1983), held at the Sarah Lawrence College Art Galley, and curated by Barbara Jarocki. The postcard is an invitation to the opening reception.
Marilyn Houlberg Nigeria collection
14 Documents (1 Binder)
The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
These records consist mostly of the correspondence of Warren H. Robbins, which documents activities of the National Museum of African Art (NMAfA) since its inception. Also included are some correspondence and memoranda of Jean M. Salan, John E. Reinhardt, and David L. Stratmon, a previous Associate Director of MAA (Museum …
Warren M. Robbins Papers
These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul …
Howard Wise Gallery records
The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.
This accession consists of records relating to the National Museum of African Art (NMAfA) created by the director's office during the tenure of Johnnetta Cole, 2009- . The records relate to grants, fundraising, exhibitions, partnerships, workplace diversity, and budget. Materials include correspondence, memoranda, reports, grants, clippings, and brochures. Materials dating prior to …