Public Program Records
This accession consists of the records of Shirley E. Cherkasky, who served as Coordinator of Performance Programs at the National Museum of American History (NMAH), Department of Public Programs, from 1983 to 1995. Also includes records that date back to when Cherkasky was Director of Museum Programs in the Division of Performing …
Downtown Gallery records
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
Japanese American Documentary Collection
Nitta, Eugene T.
The collection is an assortment of souvenirs and memorabilia, which have survived the years since World War II. Many of them, Christmas cards, high school graduation programs, notes to friends, snapshots, and photographic prints in the form of dance programs reflect the interests and concerns of all teenagers. There are …
James A. McGrath papers
The papers of arts educator James A. McGrath measure 5.4 linear feet and date from 1950-2011. Included are McGrath's papers concerning his artist's residencies and workshops for the United States Information Agency (USIA) in the Yemen Republic, Saudi Arabia, and the Republic of the Congo, 1990-1995. Also found are McGrath's papers concerning artist William Wiley. These papers date from Wiley's high school days and includes correspondence, writings, student files, printed materials, photographs, and artwork. Letters from Wiley to McGrath span several decades and provide details about his artwork, family, and travels.
Alfred J. Frueh papers
The papers of caricaturist and illustrator Alfred J. Frueh measure 7.7 linear feet and 3.18 GB and date from circa 1880-2010. These papers consist of biographical information, including a sound recording of reminiscences about Frueh by his children; correspondence that includes many illustrated letters and greeting cards; notes and writings; numerous caricature sketches, cartoons, and 25 sketchbooks by Frueh; printed and digital material; and photographs of Frueh and his artwork. There is a 2.3 linear foot unprocessed addition to this collection donated 2020 that includes bound and unbound scrapbooks and loose newspaper and magazine clippings of caricatures by Frueh from the New Yorker and other publications, circa 1920-1940.
Natalie S. Henry and Rowena Fry papers
Henry, Natalie S. (Natalie Smith), 1907-1992
Biographical material assembled by Henry on herself (1929-1987) and Rowena Fry (1927-1987) consists of brief typescripts, letters, clippings, exhibition catalogs, samples of Christmas cards designed by Henry and Fry, a print "Bird's Tree in Winter" by Henry (1968), and photographs of works of art. The material emphasizes Henry's mural for the Springdale, Arkansas …
Manuel Quiles Films
Quiles, Manuel, 1908-1989
Home movies documenting various events in a small, close-knit, South Bronx, New York community of Puerto Ricans who came to the mainland U.S. in the 1920s and 1930s. The films depict birthdays, weddings and Christmas celebrations.
Exhibition and Project Records
This accession consists of records that document the Project Management Office's work in managing exhibitions and projects at the National Museum of American History. Materials include correspondence, memoranda, grant proposals, scripts, schedules, budget records, visitor surveys, reports, floor plans, drawings, clippings, and other related records.
Benson Bond Moore papers
The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.
These records consist of exhibition design, production, and installation information including proposals and narratives, scripts, schedules, graphic designs, construction contracts and specifications, floor plans, blueprints, schematic drawings, and photographs. The records also include Department of Exhibits administrative files such as correspondence, memoranda, monthly progress reports, budget information, space planning, and …