30 records — Page 1 of 3
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Creators:
McConnell, James Rogers, 1887-1917
Dates:
1890-1928
Size:
0.33 Cubic feet (2 boxes)
Collection ID:
NASM.XXXX.0232
Repository:
National Air and Space Museum Archives

This collection consists of correspondence, newspaper articles, and a photograph album documenting James Rogers McConnell's life, especially his World War I service in the Lafayette Escadrille.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Halkett, James Nicol, 1895-1953
Dates:
1924-1951
Size:
2 Cubic Feet (4 boxes)
Collection ID:
NMAH.AC.1455
Repository:
Archives Center, National Museum of American History

The collection documents the life and work of engineer and inventor James Nicol Halkett.

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Creators:
Halkett, James A. E. (physicist)
Medical Sciences, Division of, NMAH, SI.
Wesolowski, Sigmund A.
Dates:
1948-1951.
Size:
0.15 Cubic feet (1 box)
Collection ID:
NMAH.AC.0220
Repository:
Archives Center, National Museum of American History

Halkett and Wesolow(ski) materials show the process of technological innovation through laboratory protocols. They also demonstrate the various alternatives explored in the search for effective artificial circulation by using materials which would not damage or clot blood and that could be sterilized. The evolution of the pumping mechanism and powe...

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Creators:
Greenberg, Clement, 1909-1994
Dates:
1937-1983
Size:
8.6 Linear feet
Collection ID:
AAA.greeclep
Repository:
Archives of American Art

The papers of art critic, author, and lecturer Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the collection consists of letters from art critics, artists, family, friends, galleries, and museums. Notable correspondents include Jack Bush, Anthony Caro, Richard Diebenkorn, Friedel Dzubas, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Morris Louis, Robert Motherwell, Charles Pollock, Jules Olitski, David Smith, and Anne Truitt among others. Also found are biograpical materials, personal business and financial records, an etching by Kurt Wisneski, printed materials, and two reports by Greenberg concerning his travels.

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Creators:
Louis, Morris, 1912-1962
Dates:
circa 1910s-2007
bulk 1965-2000
Size:
17.8 Linear feet
Collection ID:
AAA.louimorr
Repository:
Archives of American Art

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

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Creators:
Nancy Drysdale Gallery
Dates:
1971-1996
Size:
9 Linear feet
Collection ID:
AAA.nancdryg
Repository:
Archives of American Art

The records of the Nancy Drysdale Gallery measure 9.0 linear feet and span the years 1971 to 1996. The bulk of the collection comprises artist files that document the gallery's relations with 67 artists, many of whom were represented by the gallery.

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Creators:
United States National Museum, Division of Marine Invertebrates
Dates:
1853-1962
Size:
7.9 linear meters.
Collection ID:
Record Unit 233
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Halasz, Piri
Dates:
circa 1950-2017
Size:
1.6 Linear feet
0.179 Gigabytes
Collection ID:
AAA.halapiri
Repository:
Archives of American Art

The papers of Piri Halasz are dated circa 1950-2017, and measure 1.6 linear feet and 0.179 GB. The collection consists of correspondence with Clement Greenberg and a number of well-known artists; writings including article and book manuscripts, drafts of lectures, talks, and born-digital presentations; interview transcripts and sound recordings; exhibition reviews; research; biographical material; photographs; and printed material documenting Halasz's activities as an art critic, writer and curator.

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Creators:
André Emmerich Gallery
Dates:
circa 1929-2009
Size:
311.4 Linear feet
Collection ID:
AAA.andremmg
Repository:
Archives of American Art

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

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30 records — Page 1 of 3