Photographs taken by Amina Dickerson in 1982 during her travels in Niger, Nigeria and Senegal. Images are mostly of the Hausa, Yoruba and Tuareg peoples.

The collection contains 2136 color 35mm slides and 829 color 35mm negatives taken by Robert Pringle, former Ambassador to Mali, between 1980-1989. The images were taken in Mali, Burkina Faso and Kenya, and depict masquerades, vernacular architecture (including Dogon doors and granaries), mosques, marketplace scenes, pottery, masks (including plank and leaf masks), weaving, art in situ, animals and landscapes. Culture groups represented in the collection include the Tuareg, Lobi, Maasai, Mossi, Dogon, Fula and Bobo (Bwa) peoples. Ambassador Pringle traveled with photographer Christopher Roy and some of Pringle's images depict Roy at work with his own camera.

Photographs made by William F. Wheeler during his expeditions to Africa in July 1986, 1987, 1988, 1990, 1993, 1994, 1996, and 1998, mostly documenting the Efe of Akokora in the Ituri forest. Photographs relating to the Efe people of Akokora in the Ituri forest include images of Efe people, camps, musical instruments, dances, archery and poison arro...

This collection documents the Asante, Baka, Baule, Berber, Dogomba, Dogon, Fulani, Gurunsi, Gonja, Hausa, Lobi, Mamprusi, Mossi, Senufo, Serer, Tsonga, Tuareg, Wolof, and Yoruba peoples; architecture, animals, artwork, celebrations, ceremonies, landscapes, masquerades, markets, mosques, portraits, shrines, and street scenes in Ghana, the Ivory Coast, Mali, Nigeria, Morocco, Republic of Benin, Central African Republic, Namibia, and Senegal.

The collection consists of 47 lantern slides, some hand‐colored, that appear to have been made to illustrate a talk by Waite entitled, "Desert Sheiks." Images show Algerian nomadic people, their camps, and activities including animal husbandry, Algerian towns and villages, and views of the Algerian countryside. There are also several images of the ...

This collection contains 664 digital images (JPEG files) depicting the built environment, landscape and people of Morocco, Ghana, Niger, Nigeria and South Africa. A large number of images depict people in and around the Gidan Rumfa palace in Kano, Nigeria, including spectators of and participants in a ceremonial procession celebrating Eid ul-Fitr (the end of Ramadan); servants, concubines, praise singers and musicians in and near the palace harem; members of the royal household and the royal guards; and Alhaji Ado Bayero, the Emir of Kano. Other images depict architectural features of the palace. Images from Morocco, Ghana, Niger and South Africa include various scenes of daily life, architecture, markets, cemeteries and landscapes.

This accession consists of exhibition records created during the tenures of Warren M. Robbins, Director, 1979-1983; Sylvia H. Williams, Director, 1983-1996; and Sharon F. Patton, Director, 2003-2008. Exhibitions documented include "African Masterpieces from the Musee de l'Homme;" "The Art of Being Tuareg: Sahara Nomads in a Modern World;" ...

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...

Photographs taken by Eliot Elisofon in Africa and in European and American museums and collections during his extensive travels from 1942 through 1972. African kingdoms and peoples represented include Afo, Anyi, Asante, Atie, Baga, Bamana, Baule, Bembe, Benin, Bobo, Boki, Bozo, Chamba, Chokwe, Dan, Dinka, Dogon, Ebrie, Efik, Ejagham, Hausa, Ibibio, Idoma, Ife, Igbo-Ukwu, Ijo, Jenne, Jukun, Kamba, Kissi, Kom, Kongo, Kono, kota, Kpelle, Kuba, Kuyu, Kwele, Lega, Lobi, Loma, Lozi, Luba, Lulua, Lunda, Mambila, Mende, Mossi, Nalu, Ndebele, Ngbaka, Ngoni, Nok, Nupe, Nyamwezi, Pende, Suku, Susu, Tabwa, Teke, Temne, Tetela, Tiv, Tuareg, Urhobo, Vai, Woyo, Yaka, Yoruba, and Zande.

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.