30 records — Page 1 of 3
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Creators:
Turner, Ross, 1847-1915
Dates:
1884-1913
Size:
2 Items ((on partial microfilm reel))
Collection ID:
AAA.turnross
Repository:
Archives of American Art

Letter to Miss Phelps, May 14, 1884; and letter to Mrs. Nevins, Nov. 8, 1913, concerning a lecture Turner is to give at the Salem Women's Club.

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Creators:
Pyle, Howard, 1853-1911
Dates:
1894 Aug. 19-1899 Nov. 14
Size:
2 Items ((on partial microfilm reel))
Collection ID:
AAA.pylehowa
Repository:
Archives of American Art

Letter to Mr. Marvin regarding a drawing plan Pyle was preparing, and to Ross Turner regarding an exhibition organized by the Colonial Dames.

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Creators:
Lamb, Rose
Dates:
circa 1870-1961
bulk 1870-1900
Size:
0.8 Linear feet
Collection ID:
AAA.lambrose
Repository:
Archives of American Art

The papers of Boston area portrait painter Rose Lamb date from circa 1870 to 1961, with the bulk of the material dating from circa 1870 to 1900, and measure 0.8 linear feet. The collection contains a diploma; letters from artists, writers, historians, and others, including nine letters from former teacher and friend William Morris Hunt; photographs of unidentified people and artwork by Lamb; and original artwork, including a sketchbook, charcoal drawings, watercolors, and two oil paintings.

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Creators:
Art League Publishing Co. (Chicago, Ill.)
Dates:
1905
Size:
0.4 Linear feet ((68 items on 3 partial microfilm reels))
Collection ID:
AAA.artleag
Repository:
Archives of American Art

Biographical forms completed by artists and illustrators for the Art League Publishing Company's ARTISTS YEAR BOOK. Each contains details written by the artist concerning parentage, exhibitions and collections containing his work, books illustrated, memberships in clubs, etc.

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Creators:
Library of Congress
Dates:
circa 1890-1945
Size:
183.5 Cubic feet ((58 solander boxes))
Collection ID:
SAAM.Photo.LOC
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Library of Congress Copyright Deposit Collection is comprised of 2,335 photomechanical reproductions of works by 741 artists (mostly American). The large-format prints, deposited with the Library of Congress for copyright between 1890 and 1945, represent a broad range of nineteenth- and twentieth-century American art.

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Creators:
Hutton, William R., 1826-1901
Dates:
1830-1965
Size:
30 Cubic feet (33 boxes, 21 oversize folders)
Collection ID:
NMAH.AC.0987
Repository:
Archives Center, National Museum of American History

The papers document the life and work of William R. Hutton, a civil engineer during the late 1800s to the early 1900s. Materials include diaries, notebooks, correspondence, letterpress copy book, printed materials, publications, specifications, photographs, drawings, and maps that document the construction of several architectural and engineering projects during this period. Most notable are the records containing information related to the construction of the Chesapeake and Ohio Canal, Hudson River Tunnel, the Washington Aqueduct, the Kanawha River Canal, and the Washington/Harlem River Bridge. There are also several records about railroads in the state of Maryland, the District of Columbia and elsewhere, including the Western Maryland Railroad, Baltimore and Ohio Railroad, Colorado Midlands Railway, Baltimore and Drum Point Railroad, the Northern Adirondack Railroad, and the Pittsfield and Williamstown Railroad. The records can be used to track the progression of these projects, and engineering innovation during the late 1800s to the early 1900s.

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Creators:
Baird, Spencer Fullerton, 1823-1887
Dates:
1833-1889
Size:
39.3 cu. ft. (74 document boxes) (3 half document boxes) (5 3x5 boxes) (oversize material)
Collection ID:
Record Unit 7002
Repository:
Smithsonian Institution Archives

The Spencer F. Baird Papers are the combination of several different deposits. One group was originally labeled "Private" by the Smithsonian Institution Archives at the time they were received. Another group came to the Smithsonian from Lucy Hunter Baird (Baird's daughter), or from her estate after her death.

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Creators:
Duveen, Albert
Dates:
1807-1946
Size:
1.1 Linear feet
Collection ID:
AAA.duvealbe
Repository:
Archives of American Art

The Albert Duveen collection of artists' letters and ephemera measures 1.1 linear feet and dates from 1807 to 1946. Unrelated letters written by over 170 mostly 19th and early 20th century American artists are found in this compiled collection of art critic, dealer, and collector Albert Duveen. Additional ephemera includes printed material and photographs of artwork.

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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Creators:
Spencer, Frank, 1941-1999
Langham, Ian, 1942-1984
Dates:
1836-1999
bulk 1970-1999
Size:
40 Linear feet (94 boxes, 1 oversized box)
Collection ID:
NAA.2002-21
Repository:
National Anthropological Archives

Frank Spencer was a historian of biological anthropology who began his career as a medical laboratory technician. His papers include correspondence, manuscripts, notes, research files, teaching materials, photographs, and audiotapes. Spencer's research on the Piltdown hoax as well as the Piltdown research of Ian Langham, whose work Spencer continued after his death in 1984, and Spencer's research on the life and career of Aleš Hrdlička for his dissertation are both represented in the collection.

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30 records — Page 1 of 3