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- Creators:
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National Museum of Natural History (U.S.). Division of Physical Anthropology
- Dates:
-
undated
- Size:
-
1 Print (engraving)
2 Prints (chalk manner lithograph)
3 Prints (etching)
23 Photomechanical prints (halftone, photogravure, and collotype)
152 Photographic prints (silver gelatin and albumen)
8 Copy prints
6 Copy negatives
1 Print (offset lithography)
1 Print (probably chromolithograph)
11 Negatives (acetate)
3 Drawings
- Collection ID:
- NAA.PhotoLot.4822
- Repository:
-
National Anthropological Archives
Photographs relating to physical anthropologists from the 19th and 20th centuries in Europe and the United States. Many of the photographs depict Smithsonian staff, particularly Ales Hrdlicka and T. Dale Stewart, as well as people and artifacts relating to physical anthropology throughout history. Some of the portraits are signed and the collection...
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- Creators:
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Smithsonian Institution. Bureau of American Ethnology
- Dates:
-
late 19th century-early 20th century
- Size:
-
70 Stereographs (circa, albumen)
- Collection ID:
- NAA.PhotoLot.140
- Repository:
-
National Anthropological Archives
Stereographs documenting Native North Americans, including studio portraits, camps and dwellings, graves, infants in cradleboards, and pottery. Specific images portray Sitting Bull's camp at Fort Randall, Curly at the Custer monument, and a Southern Plains delegation at the White House Conservatory. Tribes represented include Winnebago, Tuscarora...
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- Dates:
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1901, 1907, 1909-1910, 1918, 1929-1965
- Size:
-
3.94 cu. ft. (2 record storage boxes) (1 document box) (4 5x8 boxes)
- Collection ID:
- Record Unit 7297
- Repository:
-
Smithsonian Institution Archives
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
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- Dates:
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1990
- Size:
-
13 videotapes (Reference copies). 39 digital .wmv files and .rm files (Reference copies).
- Collection ID:
- Record Unit 9553
- Repository:
-
Smithsonian Institution Archives
The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...
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- Creators:
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Allen, George V.
- Dates:
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circa 1860-1935
- Size:
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67 Lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 Autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
- Collection ID:
- NAA.PhotoLot.90-1
- Repository:
-
National Anthropological Archives
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, clif...
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- Creators:
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Schoener, Allon
- Dates:
-
1966-2007
- Size:
-
3 Linear feet
0.371 Gigabytes
- Collection ID:
- AAA.schoallo
- Repository:
-
Archives of American Art
The Harlem on My Mind exhibition records measure 3.0 linear feet and 0.371 GB and date from 1966-2007. The records contain exhibition and book files, correspondence, research material, printed and digital material and photographs from the Metropolitan Museum of Art exhibition. Also included is material documenting additional exhibitions, conferences and events relating to the original exhibition.
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- Creators:
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Parish Gallery
- Dates:
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1940-2013
bulk 1991-2013
- Size:
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6.4 Linear feet
11.73 Gigabytes
- Collection ID:
- AAA.parigall
- Repository:
-
Archives of American Art
The records of Parish Gallery, located in Washington, D.C., measure 6.4 linear feet and 11.73 gigabytes and date from 1940 to 2013, with the bulk of the collection dating from 1991 to 2013. This collection consists primarily of exhibition files, but also includes administrative files, as well as some biographical material related to Norman Parish's career before opening the gallery.
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
-
1841-1941
undated
- Size:
-
0.72 Cubic feet (consisting of 1.5 boxes, 1 folder, 1 oversize folder.)
- Collection ID:
- NMAH.AC.0060.S01.01.IndustrialBelting
- Repository:
-
Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Industrial Equipment forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Dates:
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1956-2000
- Size:
-
14 cu. ft. (14 record storage boxes)
- Collection ID:
- Accession 01-060
- Repository:
-
Smithsonian Institution Archives
This accession consists of records documenting the activities of the Division of Vertebrate Paleontology. Materials include correspondence, memoranda, administrative records regarding collections and the A. Remington Kellogg Library, research notes and proposals, exhibition files, photographs of specimens, and professional activity files. ...
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- Creators:
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Frank K. M. Rehn Galleries
- Dates:
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1858-1969
bulk 1919-1968
- Size:
-
21.8 Linear feet
- Collection ID:
- AAA.franrehg
- Repository:
-
Archives of American Art
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.