70 records — Page 1 of 7
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Creators:
Konopka, Joseph, 1932-
Dates:
1965-2003
Size:
1.1 Linear feet
Collection ID:
AAA.konojose
Repository:
Archives of American Art

The Joseph Konopka Papers measure 1.1 linear feet and date from 1965 to 2003. The papers document Konopka's career as a photo-realist and landscape painter through biographical material, correspondence, and artwork.

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Creators:
Heythum, Antonin, 1901-1954
Dates:
1920-1959
Size:
3.7 Linear feet
Collection ID:
AAA.heytanto
Repository:
Archives of American Art

Primarily subject files containing letters, photographs, and printed material pertaining to various international expositions and Heythum's teaching activities.

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Creators:
Norton, John Warner, 1876-1934
Dates:
1893-1954
Size:
200 Items (Ca. 200 items (on 3 partial microfilm reels))
Collection ID:
AAA.nortjohn
Repository:
Archives of American Art

Correspondence, sketches and sketchbooks, printed material, writings and photographs.

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Creators:
Kent, Rockwell, 1882-1971
Dates:
circa 1840-1993
bulk 1935-1961
Size:
88 Linear feet
Collection ID:
AAA.kentrock
Repository:
Archives of American Art

The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

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Creators:
Gassner, Mordi, 1899-1995
Pennington, Estill Curtis
Dates:
1982 Apr. 16
Size:
3 Items (sound files Sound recording, digital, wav file)
24 Pages (Transcript)
Collection ID:
AAA.gassne82
Repository:
Archives of American Art

An interview with Mordi Gassner conducted 1982 Apr. 16, by Buck Pennington, for the Archives of American Art.

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Creators:
Gellert, Hugo, 1892-1985
Dates:
1916-1986
Size:
6.9 Linear feet
Collection ID:
AAA.gellhugo
Repository:
Archives of American Art

The papers of graphic artist, muralist, and activist Hugo Gellert measure 6.9 linear feet and date from 1916 to 1986. They document his career as an artist and organizer for the radical political left through an interview, legal papers, financial records, family papers, artifacts, correspondence, writings, organizational records, extensive printed materials (many of them illustrated by Gellert), photographs, and artwork.

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Creators:
Dreyfuss, Henry, 1904-1972
Dates:
1927-1972
Size:
130 Cubic feet
Collection ID:
SIL-CH.1972-88-332-4
Repository:
Smithsonian Libraries

This material does not cover all clients and projects undertaken by Dreyfuss. This collection consists of theater design materials, industrial design materials, primarily, though not exclusively, from the 1950s and 60s, draft copies of his books, including extensive research files for the "Symbol Sourcebook," texts of lectures delivered by Dreyfuss, and biographical material. Included is Dreyfuss's Brown Book which provides an outline of his achievements. Photographs and slides of many of his designs are included. Materials relating to three publications include original drafts of the books with author notes, drawings, photographs, correspondence, and research materials. Also contains materials relating to the symbols exhibition held at the Hallmark Gallery in New York City in 1972.This collection was the source of many of the objects and issues addressed in Cooper-Hewitt's 1997 exhibition, "Henry Dreyfuss: Directing Design", and companion book, "Henry Dreyfuss, Industrial Designer: The Man in the Brown Suit", both conceived by Russell Flinchum. 311 reels of microfilm documenting most of the projects undertaken by Dreyfuss Associates were created by the firm and added to the collection later.

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Creators:
LaDuke, Betty
Dates:
circa 1981-2018
Size:
2 electronic discs (dvd)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 prints (visual works)
2488 negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Collection ID:
EEPA.2007-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.

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Creators:
McMillen, Michael C.
Karlstrom, Paul J.
Dates:
1997 Apr. 15-Dec. 8
Size:
5 Sound cassettes (Sound recording, master (5 hrs.), analog)
73 Pages (Transcript)
Collection ID:
AAA.mcmill97
Repository:
Archives of American Art

An interview of Michael C. McMillen conducted on 1997 Apr. 15-Dec. 8, by Paul Karlstrom, for the Archives of American Art.

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Creators:
McFarland, J. Horace (John Horace), 1859-1948
American Rose Society
Dates:
1899-1974
Size:
30 Cubic feet (2718 photographs: black and white; 448 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Collection ID:
AAG.MCF
Repository:
Archives of American Gardens

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

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70 records — Page 1 of 7