Franz Bader Gallery records
The records of the Washington, D.C. located Franz Bader Gallery measure 13.0 linear feet and date from 1925 to 1995. The materials document the gallery's history and administrative activities, the artists represented by the gallery, the exhibitions held at the space, and the life of Franz Bader. The collection comprises the personal papers of Franz Bader including files regarding his photography career; artist's files for Paul Arlt, David Becker, William Calfee, Un'ichi Hiratsuka, Robert Marx, Wang Ming, Naúl Ojeda, Prentiss Taylor, Alma Thomas, Lee Weiss, and others; and gallery files containing correspondence, exhibition records, client invoices and other administrative records, files on Inuit art and bark paintings, and a file for Whyte Bookshop and Gallery. Also found are inventory and sales records consisting of two card files, ledgers, stock and inventory lists, and a sales binder; printed and broadcast materials relating to exhibitions, Bader and his photography, events, and includes a video recording featuring the gallery on the show Around Town; guestbooks which hold signatures and notes from gallery patrons; scrapbooks that include printed material related to the gallery's exhibitions, D.C.-based artists the gallery represented, and other gallery events; and photographs of Bader and others, the gallery space, works of art, and candid photographs from exhibition openings.
These records consist of materials created and maintained by Milo Cleveland Beach, Director, 1987-2001, documenting exhibition planning and production, including "Chinese Scholar's Studio: Artistic Life in the Late Ming Period," "Rise to Power: Art of Ancient Japan," "Timur and the Princely Vision," "Yani: The Brush of Innocence," "Crushed Lapis and Burnished …
Pietro Lazzari papers
The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The papers document Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.
Susan Conway Gallery records
The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.
Aschwin Lippe Collection
Aschwin Lippe was a research fellow and later curator in the Department of Far Eastern Art at the Metropolitan Museum of Art in New York City. The collection includes his early research and writings on East Asian art, particularly Chinese paintings. It has substantial material on his involvement in selecting the paintings and writing the catalog for the 1961 Chinese Art Treasures Exhibition. He later shifted his research focus to medieval Indian sculpture. The collection includes journals kept during several years of field research in India as well as his extensive photo-documentation of Indian temples and religious sculpture.
This accession consists of records created and maintained by David A. Romanowski, Writer-Editor, documenting the development of exhibitions and portions of exhibitions at the National Air and Space Museum and the Steven F. Udvar-Hazy Center. A small amount of records also document Exhibits Design Department activities, procedures, and non-exhibition projects …
Downtown Gallery records
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
This record unit consists of approximately 800 posters, which primarily document exhibitions, programming, and collections at the National Collection of Fine Arts (NCFA) and later, the National Museum of American Art (NMAA). Several posters serve as advertisements for the museum, incorporating imagery from artists' works within the collection. This collection of …
Walter Pach papers
The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.
Chaim Gross papers
The papers of New York City sculptor and teacher Chaim Gross measure 21.1 linear feet and date from 1920-2004. The collection provides comprehensive documentation of Gross's career through biographical material, personal and professional correspondence with family, artists, writers, galleries, museums, educational institutions, and religious and philanthropic organizations, writings, personal business records, extensive printed and published material including motion picture film and video recordings of four documentaries, one hundred and fifteen sketchbooks spanning the bulk of Gross's career, and photographs of Gross, his family, many friends and colleagues from the art world, his studio, personal art collection, and works of art. An unprocessed addition of three sketchbooks was donated in 2020.