With copy of letter of transmittal and application for permit.
The eleven boxes contain documentation relating to project files including business correspondence, invoices, sketches, contracts and agreements, research materials, brochures, photographs, slides and models. This collection, which includes some biographical material and which is specifically related to the design process and to the use of plastic...
The collection of Kimowan McLain, significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.
Photographs depicting participants in a "live-in" course entitled "Woodland Algonquians of Wisconsin," offered by the University of Wisconsin, Milwaukee in July 1976. Most of the images show participants constructing a birch-bark wigwam. Participants included Chippewa, Menominee, and Potawatomi Indians.
The Lee Howard Marmon photographic prints and contact sheets contain 36 color and black and white photographic prints and two color contact sheets of 9 images each. Subjects include Laguna and Acoma elders (1950-1965), publicity images of celebrities (1967-1973), Native American portraiture (circa 1987), the New Mexico pueblos and landscape, and the potter Lucy M. Lewis, her daughters, and their pottery (1987).
Includes a manuscript entitled "Material Culture of the Papago," with photographs; "Acculturation of the Papago Village of Santa Rosa"; material concerning a Papago calendar; bibliography from "Social Organization ofthe Papago"; and an undated letter from Underhill to Ruth Benedict.
Photographs taken by Phyllis Galembo in Nigeria.
Also 18 pages, apparently a variant of that section of the manuscript beginning on page 142. With 4 pages of correspondence, including letter of transmittal dated April 28, 1911.
The bulk of this collection documents the professional life of Ruth Leah Bunzel from the 1940s to 1970s. The collection contains correspondence, manuscripts, notes, research files, teaching materials, card files, artwork, and sound recordings.