This accession consists of records documenting the production of the compact disc-interactives (CD-I), "Downhome Blues" and "Uptown Blues." These titles, produced in cooperation with Philips Interactive Media of America, were part of the commercial CD-I series, "Treasures of Smithsonian." "Downhome Blues" and "Uptown Blues" featured rural and urban blues musicians …
This accession consists of records documenting the planning and production of the videodiscs "Uptown Blues" and "Downhome Blues." Materials include correspondence, scripts, image permissions, promotional materials, clippings, background information on artists, notes, and lists and photocopies of images.
This accession consists of audio and video elements created during the production of the compact disk-interactives (CD-Is) "Downhome Blues" and "Uptown Blues." These titles, produced in cooperation with Philips Interactive Media of America, were part of the commercial CD-I series "Treasures of Smithsonian." "Downhome Blues" and "Uptown Blues" featured rural …
This accession consists of the records of Lee Woodman-Cioffi, Audio-Visual Production Specialist for the Office of Telecommunications (OTC), 1985- . Materials include correspondence, memoranda, scripts, and notes documenting OTC audio-visual productions such as "Downhome & Uptown Blues," "Diversity Endangered," "Buried Mirror," "Crow Affair," "Montserrat," "Reel Jungle," and "Science in American Life." In addition …
Holly Solomon Gallery records
The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.
Artists Talk on Art records
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Charismic Productions Records of Dizzy Gillespie
Collection documents the career of noted American jazz musician Dizzy Gillespie, through a donation from his former manager, Charles Fishman.
Ernie Smith Jazz Film Collection
Armstrong, Louis, 1901-1971
More than 300 reels of 16mm black and white and color film, silent and sound, fiction and documentary motion picture film documenting jazz and related musical performances, social and popular dance styles and performances, jazz musicians, performance locales, and documentation of African-American popular culture. A list of featured performers in the collection is shown below. The films are frequently compilations produced by Smith for lectures.
Smithsonian Folklife Festival records: 2012 Smithsonian Folklife Festival
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Leo Castelli Gallery records
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.