49 records — Page 1 of 5
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Creators:
Viola, Jerome
Viola, Mary Jo
Dates:
1931-1997(?)
Size:
2 Linear feet
Collection ID:
AAA.violjero
Repository:
Archives of American Art

Jerome Viola's lecture and research notes kept while a student at New York University Institute of Fine Arts (1955-68) and research materials and mss. draft of the book, The Painting and Teaching of Philip Pearlstein (N.Y. : Watson-Guptill, 1982), correspondence includes letters from Philip Pearlstein (an original, 1982; and an facsimile, 1997(?));...

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Creators:
Pearlstein, Philip, 1924-
Dates:
circa 1940-2008
Size:
31.8 Linear feet
16.68 Gigabytes
Collection ID:
AAA.pearphil
Repository:
Archives of American Art

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

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Creators:
McClellan, Catharine
Guédon, Marie Françoise
Swanton, John Reed, 1873-1958
Emmons, George Thornton
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Dates:
1890-2004
bulk 1923-2004
Size:
2 map drawers
38 Linear feet (71 document boxes, 1 half document box, 2 manuscript folders, 4 card file boxes, 1 flat box, and 1 oversize box)
Collection ID:
NAA.1998-89
Repository:
National Anthropological Archives

These papers reflect the professional and personal life of Frederica de Laguna. The collection contains correspondence, field notes, writings, newspaper clippings, writings by others, subject files, sound recordings, photographs, and maps. A significant portion of the collection consists of de Laguna's correspondence with family, friends, colleagues, and students, as well as her informants from the field. Her correspondence covers a wide range of subjects such as family, health, preparations for field work, her publications and projects, the Northwest Coast, her opinions on the state of anthropology, and politics. The field notes in the collection mainly represent de Laguna and her assistants' work in the Northern Tlingit region of Alaska from 1949 to 1954. In addition, the collection contains materials related to her work in the St. Lawrence River Valley in Ontario in 1947 and Catherine McClellan's field journal for her research in Aishihik, Yukon Territory in 1968. Most of the audio reels in the collection are field recordings made by de Laguna, McClellan, and Marie-Françoise Guédon of vocabulary and songs and speeches at potlatches and other ceremonies from 1952 to 1969. Tlingit and several Athabaskan languages including Atna, Tutochone, Upper Tanana, and Tanacross are represented in the recordings. Also in the collection are copies of John R. Swanton's Tlingit recordings and Hiroko Hara Sue's recordings among the Hare Indians. Additional materials related to de Laguna's research on the Northwest Coast include her notes on clans and tribes in Series VI: Subject Files and her notes on Tlingit vocabulary and Yakutat names specimens in Series X: Card Files. Drafts and notes for Voyage to Greenland, Travels Among the Dena, and The Tlingit Indians can be found in the collection as well as her drawings for her dissertation and materials related to her work for the Handbook of North American Indians and other publications. There is little material related to Under Mount Saint Elias except for correspondence, photocopies and negatives of plates, and grant applications for the monograph. Of special interest among de Laguna's writings is a photocopy of her historical fiction novel, The Thousand March. Other materials of special interest are copies of her talks, including her AAA presidential address, and the dissertation of Regna Darnell, a former student of de Laguna's. In addition, materials on the history of anthropology are in the collection, most of which can found with her teaching materials. Although the bulk of the collection documents de Laguna's professional years, the collection also contains newspaper articles and letters regarding her exceptional performance as a student at Bryn Mawr College and her undergraduate and graduate report cards. Only a few photographs of de Laguna can be found in the collection along with photographs of her 1929 and 1979 trips to Greenland.

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Creators:
Smithsonian Institution. Office of Grants and Risk Management
Dates:
1974-1982
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 84-130
Repository:
Smithsonian Institution Archives

This accession contains materials pertaining to project funding, including memoranda, vouchers, reports, and balance sheets. Projects are listed by Principal Investigator, Funding Agency and Title. Fund numbers and organization codes are located in Smithsonian Institution Archives control files.

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Creators:
National Museum of History and Technology. Smithsonian Journal of History Office
Dates:
1963-1972
Size:
6 cu. ft. (12 document boxes)
Collection ID:
Record Unit 193
Repository:
Smithsonian Institution Archives

Records document publication of the Journal from solicitation of manuscripts to final layout. Also included are records for staff information, for example, information regarding various presses. See also: Record Unit 190.

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Creators:
Moglie, Loretta
Moglie, Albert F., 1890-1988
Rembrandt photo studio
Scavelli, Ramon
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Dates:
1916-1987
Size:
1 Cubic foot (9 boxes)
Collection ID:
NMAH.AC.0283
Repository:
Archives Center, National Museum of American History

The largest number of items in the collection are publicity portrait photoprints, autographed by the subjects and presented to Albert Moglie; obviously they were professional musicians for whom Moglie did repair and restoration work. Most of the musicians are violinists, such as Fritz Kreisler and Rubinoff, although cellists, including Pablo Casal...

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Creators:
Smithsonian Institution
Size:
12.5 cu. ft. (5 file cabinet drawers)
Collection ID:
Record Unit 7098
Repository:
Smithsonian Institution Archives

The Biographical Information File contains biographies of individuals associated with the Smithsonian as either administrative officers, curators, collectors, donors, regents, or research associates. Occasionally biographies of individuals less closely associated with the Institution are included.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
circa 1985-1991
Size:
18.58 cu. ft. (18 record storage boxes) (1 tall document box)
Collection ID:
Record Unit 594
Repository:
Smithsonian Institution Archives

These records primarily document the planning for University of the Air (after 1988 Smithsonian Project Discovery) and The Buried Mirror. Many of the records were created by Elizabeth S. Brownstein, media project development specialist, Office of Telecommunications (OTC). Also included are files of Adrian Malone, production chairman, and Edwar...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2002
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2002
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Kuhn, Walt, 1877-1949
Dates:
1859-1984
bulk 1900-1949
Size:
31 Linear feet
Collection ID:
AAA.kuhnwalt
Repository:
Archives of American Art

The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.

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49 records — Page 1 of 5