Exhibit script, brochures, and mmeory books.
The collection documents bound notebooks, in which visitors to the National Museum of American History exhibition "World War II: Sharing Memories" recoredd their memories of World War II.
Spiral-bound notebooks, in which visitors to the National Museum of American History exhibition "Who's in Charge?" could record their memories of working life.
The papers of New York art collector Douglas Cramer measure 1.3 linear feet and date from circa 1970-2014. Papers include letters from artists, four guest books signed by visitors to Cramer's art collection and attendees of his parties, printed material documenting Cramer's career in television as well as his prominence as an art collector, and photographs of people and artists who attended his parties including Ellsworth Kelly, Ed Ruscha, Mary Boone, Leo Castelli, and others.
The records of the Bowery Gallery, a non-profit, artist-run, cooperative gallery, measure 3.1 linear feet and 0.684 GB and date from 1969-2008. Business records, letters, exhibition files, guest registers, printed and digital material and photographs document the gallery's activities and artists.
The papers of southern California sculptor and inventor Jan de Swart measure 4.3 linear feet and are dated 1916-1994. They consist of correspondence, records concerning de Swart's inventions, writings, printed material, miscellaneous records, and photographs.
The records of the Marilyn Pearl Gallery are dated 1925-2000, with the bulk of the ematerial from the period 1976-1993. The collection measures 7.4 linear feet and consists of artists' files, exhibition files, and business records documenting affiliated artists and gallery activities.
The records of New York art gallery Terry Dintenfass, Inc. date from 1947 to 1987, with the bulk of the collection dating from 1961 to 1983, and measure 22.1 linear feet. The records are comprised of administrative files, correspondence, exhibition files, artists' files, and financial records.
The records of Galerie Darthea Speyer measure 17.2 linear feet and 1.58 GB and date from 1953 to 2010. The majority of the collection consists of artists' files containing a wide variety of materials documenting the Paris gallery's relationship with American and European artists, as well as gallery exhibitions. Also found are scattered financial records, guestbooks, documentation on the Park Hyatt Paris-Vendome art collection, exhibition announcements, posters, and additional photographs.
The papers of enamelist and sculptor, Fred Uhl Ball, measure 1.0 linear feet and date from 1936 to 2002. The collection provides scattered documentation of Ball's career through biographical material, family photographs, photographs of artwork, and printed material. The collection also includes a small group of papers concerning Ball's father, ceramicist F. Carlton Ball, his mother, illustrator and enamelist Kathryn Uhl Ball, and his grandfather, silversmith George Uhl.