This accession consists of records that document exhibition master planning for the National Museum of the American Indian on the National Mall. Staff represented in the collection include Karen Fort, Assistant Director and James Volkert, Associate Director of Mall Transition Team. Materials include correspondence, memoranda, reports, meeting minutes, floor plans …
These records consist of correspondence, memoranda, photographs, floor plans, illustrations, and architectural drawings which document the installation of exhibitions at the National Museum of American Art (NMAA) and the Renwick Gallery. Also included are exhibition scripts, catalogues, work orders, and administrative records of the Department of Design and Production.
These records consist of files concerning the administration of the office, including monthly calendars and scrapbooks of the docent program, information on exhibitions, the records of the "National Survey of Accessibility in Museums in the United States," and a photograph album of artist Alma Thomas.
This accession consists of materials related to the development, research, and production of exhibitions at the National Museum of the American Indian (NMAI), both at the Mall museum site and at the George Gustav Heye Center (GGHC) in New York, New York. Exhibitions covered include The Art of Being Kuna …
This accession consists of records documenting workshops, training courses, professional outreach activities, and administrative matters of the Office of Museum Programs (OMP). Materials include the correspondence, memoranda, and notes of Jane R. Glaser, Director, 1975-1989; James E. Sims, Acting Director, 1989-1990; Rex M. Ellis, Director, 1991- ; Bruce C. Craig, Program Manager; and Gayle …
Milch Gallery records
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
C. J. (Clarence Joseph) Bulliet papers
The C. J. (Clarence Joseph) Bulliet papers measure 34.6 linear feet and are dated circa 1888-1959. Biographical materials, correspondence, writings, subject and artist files, printed material, photographs, and artwork document the career of the influential Chicago art critic and writer. The records contain extensive information about art and artists in Chicago and the Midwest from the early to mid-twentieth century.
This accession consists of records that document Special Exhibition Fund (SEF) grant activities for significant exhibitions at the Smithsonian Institution. The fund was first administered by the Office of the Assistant Secretary for the Arts and Humanities, 1992-1994, and by the Assistant Provost for the Arts and Humanities, 1994-1996, before the Office …
This accession consists of records that document the Special Exhibition Fund (SEF) that distributes grants for significant exhibitions at the Smithsonian. These records date back to when SEF was first established by the Board of Regents and later administered by the offices of the Assistant Secretary for Museums, 1986-1992, the Assistant …
This accession consist of records that primarily document research projects that have been awarded funding through the Office of Sponsored Projects (OSP). Included are grant and contract information, budget proposals, authorizations, and correspondence. Also includes information on OSP workshops; chronological files; OSP audits, reviews, and quarterlies; and information pertaining to …