This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
The papers of New York City sculptor Charles Keck (1875-1951) measure 8.6 linear feet and date from circa 1905-circa 1954. The papers provide scattered documentation of Keck's life through thirteen letters, two speeches, lists of artwork with price and sales information, printed material, and photographic material, including photos of Keck and his studio, and a collection of 1003 glass plate negatives, primarily of Keck's artwork, which document the wide range of work he produced throughout his prolific career.
The papers of New York and California based interior designer, architect, collector and painter Lockwood de Forest measure 3.8 linear feet and date from 1858 to 1980, bulk dates 1870 to 1930. The collection includes correspondence, writings, diaries, journals, exhibition files, personal business records, printed material, sketchbooks, drawings, and photographs.
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no ...
Correspondence with artists kept by Russell Lynes in his capacity as managing editor of Harper's Magazine, measures one linear foot and dates from 1946 to 1965. The files consist primarily of correspondence with young artists and illustrators wishing to submit material to the magazine. Biographical notes from the magazine's "Personal and Otherwise" column about the artists whose material was accepted, clippings, scattered original artwork, and printed reproductions of artwork, are also included.
The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.
The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.
Materials in this record unit were donated to the Archives by Lucile Quarry Mann and the National Zoological Park between 1977 and 1988. During 1980 and 1981, Lucile Mann narrated the 16mm motion picture on audiotape with scripts by Pamela M. Henson, Oral Historian. In 1985, the motion picture was transferred to a 3/4" videotape and the t...
The collection is divided into four series. Series 1: Oral History Transcripts, 1982-1991 are transcribed versions of the oral interviews. Correspondence and/or notes pertaining to the interviewed individual collected or written by the interviewer are filed in this series following the transcription. The majority of the oral histories were done by ...
The records of the Woman's Building feminist arts organization in Los Angeles measure 33.4 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.