Frank Weitenkampf letters
Letters to Weitenkampf, mainly from artists and collectors concerning examples of their works in the library's collection.
Olin Levi Warner papers
The papers of sculptor Olin Levi Warner measure 1.9 linear feet and date from 1857 to 1962 with the bulk of the materials dating from 1857 to 1899. The collection documents Warner's art student days in Paris and his career as a sculptor, primarily in New York City. Found are scattered biographical materials and writings, including a speech by Warner about the Paris Commune of 1871; personal and professional correspondence; clippings, catalogs, and other printed material; sculpture project files; and photographs of Warner, his studio, his family, and notable figures who sat for him, including artist J. Alden Weir, and his artwork.
The records are arranged in four alphabetic series, in the order in which they were received from the originating office. The series overlap in chronology and subject matter and are probably just segments of one general alphabetic subject file that was haphazardly weeded and separated as parts of the file …
These files include grant proposals and awards, project status reports and official correspondence. Arrangement is alphabetic by name of the principal investigator. See also Record Unit 91.
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings …
Captain William B. Voortmeyer Papers
This collection consists of the following items documenting the career of Captain William B. Voortmeyer: newspaper clippings; photocopies of four photographs; a CD copy of Voortmeyer's unpublished manuscript, "The Rise of Air Power Over the Pacific," 1941; Air Navigation, textbook for the Air Training Center by Voortmeyer; manuscript of "The Modern …
George Leslie Stout papers
The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs. There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts & Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.
Henry Sayles Francis papers
Biographical information, correspondence, subject files, notebooks, photographs, clippings, price lists concern Francis' work at the Cleveland Museum of Art, his friendship with George Kates, and his interest in painter William Sommer.
Central States Anthropological Society records
Central States Anthropological Society (U.S.)
Zimmerman, Lorraine May
Wolfe, Alvin W. (Alvin William), 1928-
This collection consists of the records of the Central States Anthropological Society and documents the activities of its officers. Also included is a manuscript history of the organization.