The collection contains 74 unmounted silver gelatin photoprints. Sizes range from typical amateur rollfilm snapshots up to 5" x 7" enlargements. A typical range of snapshot subjects is included, such as a wedding group, informal portraits, including people with automobiles, landscapes and waterfalls (including the Temperance River and Gooseberry ...

Photographs and audio recording made by A. Harvey Schreter documenting ceremonies of Jivaro Indians, including the shaman Tukupi. The photographs depict Jivaro Indians, dwellings, basketmaking, a quiver with curare, and members of Schreter's expedition party. Also includes images of sacred falls in Miasal, Ecuador and a map of areas that Schrete...

The map includes drawings of buildings, mountains, waterfalls, lakes, and other special places of interest. The map is oriented to the north.

The map includes pictorial representations of various tourist attractions--mountains, rivers, waterfalls, castles, temples, hot springs, and so forth--identified with labels. The map is partially annotated with English or romanized labels apparently added by the collector.

The photographs are cityscapes and landscapes taken by Burton E. Ashley in Egypt, South Africa, Tanzania, and Zambia during the early 1930s and early 1950s. The images include views of Cape Town, South Africa; Cairo, Egypt; Port Said, Egypt, and Mozambique. Architecture depicted includes buildings in Tanzania, a mission in Zambia and the Mohammed Ali Mosque in Cairo. Additionally, there are images of the Kalahari Desert in Botswana and rivers and waterfalls including the Luangwa, Nile, Zambezi and Victoria Falls. The collection also includes photos of animals, geological features and vegetation.

This collection is comprised of 179 slides taken by Marilyn Heldman in Ethiopia, Nigeria, Eritrea, and Cameroon. Subjects include architecture, art objects, marketplaces, pottery, reliefs and cultures including the Anuak, Dorze, Falasha, Fulani, Gurage, Tigre, Falasha .

Photographs taken and lantern slides collected by Andrew and Martha Ruch to document their experiences as missionaries in Africa during the 1920s. The photographs document Andrew and Martha Ruch's missionary work and their activities among the Kikuyu people. Places shown include Cairo, Egypt; the Mediterranean Sea; a beach in Mombasa, Kenya; Mount Kilimanjaro, Tanzania; Port Said, Egypt and the Suez Canal. Activities depicted include building houses, carrying loads such as grass (for thatching), luggage, water and wood; cooking; drying skins; grinding millet; pounding sugar cane and selling items from boats to ship passagers. Ceremonies included are baptisms and church ceremonies. Portraits of people include Christian converts; chiefs, children; families; Muhia, Ruchs' assistant; the Ruches; and warriors. Many of the portraits document African clothing, ornaments, scarification and weapons. Architectural images include building materials, grain bins, houses (including Ruch's home), mosques, museums in Cairo, pyramids, railroads, temples in Egypt and villages. Boats, motorcycles and ships are also pictured. Nature scenes of landscapes and animals vary greatly and include mountains, trails, rivers, vegetation, waterfalls as well as birds, camels, cattle, donkeys, lizards and a lion.

The Historic Engravings collection is comprised of 154 pages of engravings, dating from 1747 to circa 1905. The engravings depict subject matter related to Africa and Africans.

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee. The materials in the David Crockett Graham Papers (Record Unit 7148) were sent to Alexander Wetmore, Director of the United States National Museum (USNM), between 1925 and 1935 by Graham. Wetmore deposited them in the Division of E...