The Oral History Program is part of the Smithsonian Institution Archives. The purpose of the program is to conduct interviews with current and retired members of the Smithsonian staff who have made significant contributions, administrative and scholarly, to the Institution. The project's goal is to supplement the published record and manuscrip...
This collection consists of the personal papers of Hattie Meyers Junkin. The material consists of correspondence, scrapbooks, and manuscripts, as well as material on Junkin's husbands and Weaver Aircraft Co.
Photographs depicting Korean hatter Chong Choon Mo and Korean weaver Kim Jum Soon demonstrating their crafts at the 1982 Smithsonian Folklife Festival. The photographs were probably made by a Smithsonian photographer.
Almost all of the papers in this collection deal with Carl Weaver Mitman's role as chairman of the Smithsonian War Committee. Loyal B. Aldrich, William N. Fenton, Herbert Friedmann, and Webster P. True also served on the committee. Minutes of the committee's meetings, correspondence and notes document the committee's projects. In addition to ...
The papers of artist and weaver Anni Albers measure 0.2 linear feet and date from 1924-1969. They consist primarily of printed materials about Alber's exhibitions, Bauhaus training, and Black Mountain weaving classes.
Photograph made in Desemboque, Sonora, depicting Seri women and child, including basketweaver Clemencia holding baskets. Clemencia may be holding two baskets that she made, now in the collection of the Anthropology Department, National Museum of Natural History.
The collection consists of a disassembled photograph album, featuring images from the travels of Stauffer and his wife.
This album contains 57 photographic prints, dating from circa 1899-1900, depicting the indigenous peoples of the Belgian Congo (later known as Zaire and presently known as the Democratic Republic of the Congo). Subjects depicted include costumes, body arts (hairstyles and scarification), funerary rituals, weavers and blacksmiths. Culture groups represented in the collection include the Kasai, Kwango and Luba peoples.
The J.B. Moore copper printing plates include 15 copper plates used in illustrating J.B. Moore's catalog, The Navajo (Crystal, Navajo Reservation, New Mexico: J.B. Moore, 1911). The plates depict rugs created by Navajo weavers that J.B. Moore had for sale at his trading post in 1911.
The papers of weaver, fiber artist and educator Marianne Strengell date from 1904 to the 1980s and measure 1.5 linear feet. The scattered papers focus on Strengell's career as an artist and include biographical materials, correspondence, writings, six scrapbooks, printed material, photographs, and artwork.