Biographical material; a "List of Engravings and States by Chronological Order"; a list of etchings and dry-points presented to the National Collection of Fine Arts by Moune G.H. Webster; photographs of Webster, his studio on the Rue d'Artois, and his etchings; exhibition catalogs, correspondence, printed articles about Webster, and clippings; and ...

The Kenneth and Miriam Stubbs papers regarding E. Ambrose Webster measure 0.9 linear feet and date from 1911-2007. A student at Webster's summer school in Provincetown, Kenneth Stubbs maintained a friendship with Webster and collected some of his original papers, including many handwritten copies of Webster's lectures, notes, an address book, photographs, letters, lists, and reproductions of artwork. Research files maintained by Kenneth, and later by his wife Miriam, include correspondence, exhibition catalogs for exhibitions of Webster's work, notes, photographs of artwork, and a sound recording of a radio interview of Miriam Stubbs and Tony Vevers discussing Webster.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Webster, Daniel forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Twenty six letters from Sir William Flint to Herman Armour Webster mostly concerning Flint's travels in Europe, his plans to meet Webster in France and England, progress on his artwork, and the illness of his wife, Sibylle. Also included is a partial translation and explanation of the letters written in an unknown hand.

The Tamara Webster papers relating to Frederick Hammersley measure 0.2 linear feet and date from circa 1917, 1961 to 1996. Webster was an art dealer and artist in Cambria, California and Albuquerque, New Mexico who befriended Hammersley. The papers include letters and holiday cards, exhibition catalogs, printed material, and photographs.

An interview of Sande Webster conducted 1990 March 13-28, by Marina Pacini, for the Archives of American Art Philadelphia Project. Webster speaks of her background and education; her experiences working at the Berg Art Gallery, Jenkintown, Pennsylvania; opening the Wallnuts Gallery in Philadelphia, in 1969, with Meryl Aberman, Sari Robinson, and De...

This collection consists of material relating to the long military career (1918-1948) of aviator Lewis Selwyn Webster, including five of Webster's pilot's log books as well as numerous photographs, letters, news clippings, and other documents. A small section of the collection pertains to Webster's son, Lewis Frazer Webster, who served with the U.S. Air Force and was killed in action in Korea in 1952.

Webster Prentiss True served the Institution as Editor, 1919-1939, and was given the title of Chief of the Editorial Division, Smithsonian Institution Press, in 1940, a position he held until his retirement in 1951. These papers consist of correspondence, memoranda, and various project files relating to exhibitions, television programs, l...

The papers of painter and educator Edwin Ambrose Webster measure 2.2 linear feet and date from 1821 to 1968. Found within the papers are biographical material; business and personal correspondence; writings; teaching and research files, including information on Webster's participation in the 1913 Armory show; printed material; artwork; and photographic materials of Webster, his family and friends, and his work.

Papers, films and photographs of Felix Webster McBryde, cultural geographer, mostly related to his work in South and Central America. Also some papers of wife, Frances McBryde. Supplementary materials: water colors, paper records. Please note that the contents of the collection and the language and terminology used reflect the context and culture...