62 records — Page 1 of 7
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Creators:
Brooklyn Museum
Dates:
1965-1968
Size:
7 Linear feet
Collection ID:
AAA.broomuse
Repository:
Archives of American Art

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.

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Creators:
Duveen, Albert
Dates:
[ca. 1831-1950]
Size:
5 Microfilm reels
Collection ID:
AAA.duvealbe2
Repository:
Archives of American Art

Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.

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Creators:
Andersen, Wayne V.
Dates:
1952-1994
Size:
11.6 Linear feet ((partially microfilmed on 2 reels))
0.2 Linear feet (Addition)
Collection ID:
AAA.andewayn
Repository:
Archives of American Art

Primarily research material used for Andersen's book American Sculpture in Process, 1930-1970. Included are sculpture files, containing photographs and printed materials; writings and research notes; and 663 letters and ca. 50 statements of purpose from prominent American sculptors, among them Calvin Albert, Oliver Andrews, Leonard Baskin, Wolfgang...

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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Creators:
Goodrich, Lloyd, 1897-1987
Dates:
1884-1987
bulk 1927-1987
Size:
35.7 Linear feet
Collection ID:
AAA.goodlloy
Repository:
Archives of American Art

The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.

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Creators:
Strong, William Duncan, 1899-1962
Dates:
1902-1965
bulk 1927-1955
Size:
64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
Collection ID:
NAA.1974-28
Repository:
National Anthropological Archives

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

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Creators:
Smithsonian Institution. Office of International Activities
Dates:
1965-1977
Size:
21 cu. ft. (21 record storage boxes)
Collection ID:
Accession T89080
Repository:
Smithsonian Institution Archives

This collection consists of grant audits, progress reports, correspondence and travel files. See Record Unit 180 for similar materials.

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Creators:
Moore, Gene, 1910-1998
Dates:
1955-1995
Size:
10 Cubic feet (39 boxes)
Collection ID:
NMAH.AC.1280
Repository:
Archives Center, National Museum of American History

Collected display window photographs assembled by Gene Moore, artistic director of Tiffany & Company from 1955 to 1995, documenting window displays at Tiffany & Company's flagship store in New York City, New York.

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Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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Creators:
Panofsky, Erwin, 1892-1968
Dates:
1904-1990
bulk 1920-1968
Size:
19.8 Cubic feet
Collection ID:
AAA.panoerwi
Repository:
Archives of American Art

The papers of Erwin Panofsky measure 19.8 linear feet and are dated 1904-1990 (bulk dates 1920-1968). They consist of correspondence, writings, biographical material, and printed material documenting Panofsky's career as an art historian, teacher, and writer. The Panofsky papers are comprised mainly of correspondence with colleagues, scholars, students, art dealers, galleries and museums, libraries, colleges and universities, organizations, and periodicals.

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62 records — Page 1 of 7