The papers of landscape painter Worthington Whittredge measure 1.8 linear feet and date from the 1840s to 1965, with the bulk of the papers dating from 1849 to 1908. This small collection documents Whittredge's career as a painter, particularly his years in Europe from 1849 to 1859, through biographical materials, a manuscript of his autobiography, news clippings, catalogs, six sketchbooks and numerous drawings and paintings. Also found are two photographs of Whittredge and a nineteenth-century photo album containing photographs of 32 famous artists.
The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection contains circa 130 items that provide scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.
The papers of Hudson River School painter Jervis McEntee measure 1.2 linear feet and date from 1796 and 1848 to 1905. Letters from close friends and family members to McEntee include many from his mentor Frederic Edwin Church, and fellow artists Samuel Putnam Avery, George Henry Boughton, Sanford Gifford, Richard Henry, Eastman Johnson, Elizabeth B. Stoddard, John Ferguson Weir, Worthington Whittredge, and others. Papers relating to the McEntee family include obituaries, a family genealogy, and letters from and regarding family members. There are also papers relating to the Vaux family (McEntee's brother-in-law's family) and American architect and landscape artist Calvert Vaux, who designed a studio for McEntee. Of special significance are five volumes of diaries dating from 1872 through 1890 which provide a detailed depiction of the American art world in the 1870s and 1880s.
The collection of artists' letters compiled by Mary and John McGuigan measure 0.2 linear feet and date from 1794-1938. The collection features a group of letters, writings, and signed documents to and from a variety of artists, art administrators, art critics, historians, and art-related organizations. It also includes associated printed material with some documents and a few photographs.
A collection of 176 cartes de visite or photographic portraits of various American, British, and European artists active during the second half of the 19th century, assembled by an unidentified previous owner and housed in a commercially-produced blank album.The photographs originate from a number of different photography studios, including Bayard & Bertall, Bingham, Matthew Brady, Carjat & Cie., H.G. DeBurlo, Disdéri, Franck, F. Joubert, McLean & Co., Mayer & Pierson, Ernst Milster, Nadar, Pierre Petit, Ch. Reutlinger, Richards, and others.
The papers of New York painter James Carroll Beckwith measure 3.2 linear feet and date from 1871 to circa 1991, bulk 1875-1917. The collection includes biographical material, correspondence, numerous diaries, writings, printed material, photograph albums, and photographs.
The Albert Duveen collection of artists' letters and ephemera measures 1.1 linear feet and dates from 1807 to 1946. Unrelated letters written by over 170 mostly 19th and early 20th century American artists are found in this compiled collection of art critic, dealer, and collector Albert Duveen. Additional ephemera includes printed material and photographs of artwork.
The papers of art collectors Rita and Daniel Fraad measure 3.3 linear feet and date from 1926 to 1997. The collection consists of art documentation files that reflect their American art collecting activities. Found in the files are any combination of the following materials: correspondence, sales receipts, treatment reports and photographs, loan agreements, facilities reports, exhibition and auction catalogs, clippings, photographs, transparencies, and slides.
These records consist of exhibition files maintained by the Exhibitions Coordinator. Included in the files are correspondence, staff memoranda, checklists, vouchers, and exhibition photographs. Exhibitions represented include Zoo to Art, 1985, and Still Life by Henry Lee McFee, 1986.
The Library of Congress Copyright Deposit Collection is comprised of 2,335 photomechanical reproductions of works by 741 artists (mostly American). The large-format prints, deposited with the Library of Congress for copyright between 1890 and 1945, represent a broad range of nineteenth- and twentieth-century American art.