The papers of surrealist artist Gertrude Abercrombie date from circa 1880-1986, with the bulk of the material dated 1935-1977, and measure 5.9 linear feet. Found within are biographical material; correspondence (mostly incoming letters) with friends, museums, and galleries; files for artists that interested her; writings and notes, including five journal-type notebooks; scattered personal business records; two sketchbooks by Abercrombie and additional sketches and drawings, some by others; printed material, audio recordings, one scrapbook, photographs, and estate records.
This accession consists of records primarily created by Carl W. Mitman during his tenure as Curator of the Division of Mechanical Technology, 1921-1932, and Head Curator of the Department of Arts and Industries, 1932-1948, United States National Museum. These files create a biographical sketch of a multitude of engineers, inventors, and indust...
These records consist of the correspondence of the director of the International Exchange Service along with invoices and shipping instructions. The bulk of the correspondence relates to the exchange of printed matter between parties in the United States and abroad.
A New York bookseller, Warshaw assembled this collection over nearly fifty years. Series 2 materials include cinema lobby cards, fire insurance maps, photographs and scrapbooks of liquor and wine labels. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.
These records were created and collected by Thomas R. Harney and primarily document exhibitions, research, and public programs at the National Museum of Natural History (NMNH). They include news releases, photographs, newspaper clippings, brochures, and related materials concerning permanent and special exhibitions at NMNH; a biographical ...
This biographical file was maintained by the United States National Museum's Department of Geology and several of its curators. Included in the file are biographies, obituaries, memoirs, and memorial service programs and addresses of prominent scientists, particularly American geologists and paleontologists, as well as some notable Smithsonian...
The records of New York City Kraushaar Galleries measure 91.9 linear feet and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.
The bulk of the George Brown Goode Collection (Record Unit 7050) predates the establishment of the present-day Smithsonian Institution Archives. A small addition of autograph letters was received from the Division of Political History, National Museum of American History in 1983 under accession number 83-081.
The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities
The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.