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- Creators:
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Anacostia Community Museum
- Dates:
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1998
- Size:
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1.25 Linear feet (3 boxes)
- Collection ID:
- ACMA.03-006
- Repository:
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Anacostia Community Museum Archives
An exhibition of sculpture and installation art featuring eight women artists, the show sought to decode the social imagery of black women's representation and experiences. Curated by Deborah Willis, the exhibit was organized by the Anacostia Museum and Center for African American History and Culture and held at the Smithsonian Arts and Industries Building, South Gallery from April 13, 1998 to September 30, 1998. Artist featured included: Denise Ward Brown, Beverly Buchanan, Carole Byard, Rashida Ferndinand, Kira Lynn Harris, Valerie Maynard, and Renée Stout, and Eve Sandler.
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- Creators:
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Anacostia Community Museum
- Dates:
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2000
- Size:
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0.6 Linear feet (2 boxes)
- Collection ID:
- ACMA.03-004
- Repository:
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Anacostia Community Museum Archives
This show presented photographs and photo media based art work produced by black photographers from 1840 to the present. The images in the exhibition form a technical history of the medium as well as a pictorial history of African Americans. Curated by Deborah Willis , the show was exhibited at the Smithsonian Arts and Industries Building, South Gallery from February 4 to June 30, 2000.
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- Creators:
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Anacostia Museum and Center for African American History and Culture
- Dates:
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1996
- Size:
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8.5 Linear feet (15 boxes)
- Collection ID:
- ACMA.03-025
- Repository:
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Anacostia Community Museum Archives
An exhibitionn celebrating the work of five African American photographers who documented segregated black communities in Washington, D.C., rural Virginia, and New York City in the 1930s and 1940s. Curated by Deborah Willis the exhibition was held at the Smithsonian Arts & Industries Building, South Gallery from April 18, 1996 to September 29, 1996. Photographers included: Robert H. McNeil, The Scurlock Studio, Morgan and Marvin Smith, and Gordon Parks.
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- Creators:
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Anacostia Community Museum
- Dates:
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1999
- Size:
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0.9 Linear feet (2 boxes)
- Collection ID:
- ACMA.03-011
- Repository:
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Anacostia Community Museum Archives
An exhibition exploring and examining religious imagery in African American art curated by Deborah Willis. The show was organized by the Anacostia Museum and Center for African American History and Culture and held at the Anacostia Gallery February 14, 1999 through June 15, 1999. This exhibit featured over 60 artists including David C. Driskell, Leslie King-Hammond, Radcliffe Bailey, Chester Higgins, Jr., and Valerie Maynard.
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- Creators:
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Haizlip, Ellis B., 1929-1991
- Dates:
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circa 1945-1991
bulk 1965-1990
- Size:
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63.64 Linear feet (82 boxes)
- Collection ID:
- ACMA.06-005
- Repository:
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Anacostia Community Museum Archives
The Ellis B. Haizlip papers, which date from circa 1945 --1991 (bulk dates 1965-1990) and measure 63.64 linear feets, are the personal papers of Ellis B. Haizlip, a television, theatre, and event producer most noted for his work on Soul! and Watch your Mouth! The collection is comprised of correspondence, scripts, financial and business documents, printed material, objects, photographs, slides, and videotapes.
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- Creators:
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Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Addison N., 1883-1964
More … - Dates:
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1888-1996
- Size:
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200 Cubic feet
- Collection ID:
- NMAH.AC.0618
- Repository:
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Archives Center, National Museum of American History
The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, DC. Collection also includes business records and ephemera.
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- Creators:
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Karp, Ivan C., 1926-2012
O.K. Harris Gallery (New York, N.Y.)
- Dates:
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1960-2014
- Size:
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80.3 Linear feet
- Collection ID:
- AAA.okharr
- Repository:
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Archives of American Art
The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artist files, printed material and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Aso included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters.
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- Dates:
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1996
- Size:
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160 audiotapes (Originals). audiotapes (Reference copies).
- Collection ID:
- Record Unit 9594
- Repository:
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Smithsonian Institution Archives
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 30-July 11, 2011
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2011
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Dowd, William R.
- Dates:
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1949-1997
- Size:
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33 Cubic feet (81 boxes, 7 map folders)
- Collection ID:
- NMAH.AC.0593
- Repository:
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Archives Center, National Museum of American History
The collection documents Dowd's career as a maker and scholar of harpsichords through correspondence, photographs, drawings, notes, and financial materials. The collection contains templates and drawings for harpsichords built or restored by Dowd. The collection also documents the activities of small business and its owner in Boston from 1959-1988.