Two photograph albums, two scrapbooks, carbon copy typescript of master's thesis, miscellaneous photographs, etc. Scrapbooks contain newspaper clippings about De La Hunt's career as a "girl sports reporter" and articles by her.

The Cover Girl Make-Up Advertising Oral History and Documentation Project, 1923-1991, is the result of a year-long study in 1990, which examined the advertising created for Noxell Corporation's Cover Girl make-up products from 1959 to 1990. The objective of the project was to document, in print and electronic media, the history of Cover Girl make-up advertising since its inception in 1959.

The papers of painter, collage artist, and printmaker Nancy Spero measure 27.5 linear feet and 19.12 GB and are dated 1940s-2009. Biographical materials, correspondence, interviews, writings, subject files, personal business records, printed and digital material, and photographic materials provide an overview of her exhibitions, major projects, and personal life. Also documented is her interest and participation in political movements and social issues including anti-war, women's rights, animal rights, repressive regimes, and the treatment of political prisoners.

The papers of New York painter, calligrapher, and educator, Nanae Momiyama measure 3.0 linear feet and date from 1928-circa 2000, with the bulk of the materials dating from 1948-1990s. The collection traces Momiyama's career as a first wave post-World War II Japanese-American artist through biographical material, correspondence, writings and notes, business records, printed material, scrapbooks, sketches and sketchbooks, and photographs.

United States Women in Aviation 1940-1985, by Deborah G. Douglas, was published in 1991 as part of the Smithsonian Institution Press series on women in the aviation industry. This collection consists of a variety of different types of material compiled during the author's research for the book.

The papers of painter and author Sylvia Fein measure 5.9 linear feet and date from 1936 to 2011. The papers primarily document her friendships with other artists from the Wisconsin-based Magic Realist group, including Dudley Huppler, John Wilde, Marshall Glasier, and Karl Priebe, as well as her career as a painter and her work on the books Heidi's Horse and First Drawings: Genesis of Visual Thinking. Documentation consists of scattered biographical material, extensive correspondence, project files, writings by Huppler and others, printed material, photographs, artwork by Wilde and Glasier, and scrapbooks.

The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.

The collection contains one hundred seventy eight (178) film photonegatives by G. Dwoyid Olmstead in 4 x 5 in. sheet and cut film and 2 1/4 x 2 1/4 in. (#120) rollfilm sizes; the rollfilm negatives are cut apart into either individual frames or double image strips. Most of the photographs were taken in the early 1940s in the Hill District, Pittsbur...

Patent and trademark documents, advertisements, sales and marketing material, market research, photographs, packaging, company newsletters and magazines, and business records documenting the history of the Maidenform Company from 1922 to1997.

The film, George Washington Carver, starring Carver himself, was filmed in 1939 and released in 1940. Ben Parker was the director and Robert L. Shurr wrote the screenplay.