115 records — Page 1 of 12
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Creators:
Breeskin, Adelyn Dohme, 1896-1986
Cummings, Paul
Dates:
1974 June 27
Size:
29 Pages (Transcript)
Collection ID:
AAA.breesk74
Repository:
Archives of American Art

An interview of Adelyn Breeskin conducted 1974 June 27, by Paul Cummings, for the Archives of American Art, at the artist's office in Washington, D.C., 1974 June 27.

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Creators:
Richardson, Brenda
McElhinney, James Lancel, 1952-
Elizabeth Murray Oral History of Women in the Visual Arts Project
Dates:
2011 July 29-30
Size:
7 Items (Sound recording, master: 7 sound files (4 hr., 44 min.), digital, wav)
114 Pages (Transcript)
Collection ID:
AAA.richar11
Repository:
Archives of American Art

An interview of Brenda Richardson conducted 2011 July 29-30, by James McElhinney, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Richardson's home, in Balitmore, Md.

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Creators:
Breeskin, Adelyn Dohme, 1896-1986
Dates:
circa 1934-1986
Size:
2.5 Linear feet
Collection ID:
AAA.breeadel
Repository:
Archives of American Art

The papers of Baltimore, Maryland, and Washington D.C. art historian and museum curator Adelyn Dohme Breeskin, measure 2.5 linear feet and date from circa 1934-1986. The papers provide scattered documentation of Breeskin's career, focusing on writings and lectures delivered in the United States and abroad, and briefly documenting her work as an art exhibition juror, as a consultant, and as a teacher of a community art course. The collection also includes papers documenting some of Breeskin's research on Loren MacIver, Mary Cassatt, and others, and is comprised of biographical material, personal and professional correspondence with artists, friends, and colleagues, manuscript and lecture notes and drafts, professional files, sound recordings, and a few photographs.

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Creators:
Sims, Lowery Stokes
Richards, Judith Olch
Elizabeth Murray Oral History of Women in the Visual Arts Project
Dates:
2010 July 15-22
Size:
110 Pages (Transcript)
Collection ID:
AAA.sims10
Repository:
Archives of American Art

An interview of Lowery Stokes Sims conducted 2010 July 15 and 22, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Sims' home, in New York, N.Y.

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Creators:
Kliman, Jeffrey, 1942-
Dates:
1993 - 2001
Size:
0.25 Cubic feet (11 boxes)
Collection ID:
NMAH.AC.0628
Repository:
Archives Center, National Museum of American History

This collection documents the District Curators Jazz Arts Festivals held in Washington, D.C. between 1993 and 1998 and the Kennedy Center's Mary Lou Williams' Women in Jazz Series, 1996-2000. The subjects of the District Curators Festivals include the Steve and Iqua Colson Sextet, Sonny Sharrock Band, Don Bryon Quartet, David Sanchez, David Murray...

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Creators:
Hassinger, Maren
Dates:
1955-2018
Size:
11.3 Linear feet
4.55 Gigabytes
Collection ID:
AAA.hassmare
Repository:
Archives of American Art

The papers of African American artist and educator Maren Hassinger measure 11.3 linear feet and 4.55 gigabytes, dating from 1955 to 2018. The collection contains biographical material; personal and professional correspondence; and writings; as well as project and exhibition files; material related to Hassinger's tenure at the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art (MICA); material related to other professional activities, including teaching files; photographic material; and artwork and artifacts.

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Dates:
1954-2017
Size:
2.84 Linear feet (3 boxes)
Collection ID:
ACMA.03-102
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, and promotion of an exhibition exploring the triumphs and struggles of Latinx migrants and immigrants in four urban areas: Washington, DC, Baltimore, MD, Raleigh-Durham, NC, and Charlotte, NC. The exhibition was organized and held at the Anacostia Community Museum from December 5, 2016 – January 7, 2018, and traveled to the Carlos Rosario International Public Charter School in Washington, DC, from October 2018 to Spring 2019. Materials include research files, exhibition files, oral history interviews, exhibition brochures, and media coverage.

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture
Dates:
1963-1991
Size:
35 cu. ft. (35 record storage boxes) (1 oversize folder)
Collection ID:
Record Unit 469
Repository:
Smithsonian Institution Archives

These records consist of professional correspondence and administrative and research files of a number of curators from the Department of Painting and Sculpture. Included are correspondence and memoranda with HMSG staff, artists, galleries, and other museums; loan agreements, checklists, scripts, and installation plans for HMSG exhibitions; ...

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Creators:
DeMonte, Claudia, 1947-
McGowin, Ed, 1938-
Dates:
1960-2018
Size:
7.2 Linear feet
Collection ID:
AAA.democlau
Repository:
Archives of American Art

The papers of Claudia DeMonte and Ed McGowin measure 7.2 linear feet and date between 1960 and 2018. The papers primarily document Claudia DeMonte's career as a painter, and to a lesser extent her husband's career, through correspondence with family, friends, colleagues, and art institutions; notebooks, poetry, and other writings; scrapbooks; curriculum vitas, awards and certificates, commissions, and other professional activity; exhibition announcements and catalogs, newspaper clippings, magazine articles, and other printed material; sketchbooks and other artwork; personal photographs, portraits, of artwork, and other photographic material.

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Creators:
Holman, Thomas S., 1953-2015
Dates:
1970-1989
Size:
1.8 Linear feet
Collection ID:
AAA.holmthom
Repository:
Archives of American Art

Curator, and gallery director Thomas S. Holman's research materials on Reginald Marsh, 1970-1989, measure 1.8 linear feet. Research materials consist of correspondence, notes, printed material, writings, and images accrued during the course of exhibition research that Holman pursued while he was curator of collections at the Minnesota Museum of American Art and director of the Bell Gallery, Brown University. Reginald Marsh research, mainly conducted from 1982-1983, comprises the vast majority of the collection. In addition, there are research files for proposed Charles Demuth and Charles Sheeler exhibitions. Grant research compiled in 1989 concerns a mural exhibition.

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115 records — Page 1 of 12