Panel discussion presented by the National Women's Caucus for Art. The panelists discuss art criticism in the San Francisco Bay area. The participants are Thomas Albright, Jan Butterfield, Helene Fried, Judith Golden, Ted Hedgpeth, Henry Tyler Hopkins, and Jock Reynolds. Suzaan Boettger is moderator.

This microfilm collection consists of material submitted by 46 African American artists to the National Women's Caucus for Art for the unrealized Contemporary Afro-American Women Artists exhibition. Materials include biographical information, statements about their art, photographs of the women and their work, and printed material. Artists include...

Papers compiled by Norma Broude, Mary Garrard, and Broude and Garrard together relating to the feminist art movement, especially the history of the Women's Caucus for Art (WCA). Files include a dossier formed by the Ad Hoc Committee of Women Artists (1972), reports, correspondence, meeting files, founding documents, surveys, committee records, conf...

The papers of San Francisco environmental artist and activist Jo Hanson measure 4.1 linear feet and 1.06 GB and date from circa 1969 to 2009. The papers document her professional activities through biographical material, project and exhibition files, printed and digital material, artwork, and photographs. Also found are files regarding her participation in the Women's Caucus for Art.

The papers of art historian, curator, and educator Patricia Hills measure 23.1 linear feet and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

Business correspondence; a price list for W. I. A.'s first exhibition; by-laws, agenda, minutes, and proposals; notes from meetings, for a WBAI broadcast; and notes and drafts of presentations and publications; minutes of board meetings; printed matter; material on membership, exhibitions, W. I. A. publications, and presentations for the Women's Ca...

An interview of Moira Roth conducted 2011 April 22- 24, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History Project, at Roth's home, in Berkeley, California.

Sketchbooks; photographs; a patent registration and patent; drafts; exhibition announcements and invitations; clippings; invoices; and price lists.

Printed material, photographs, correspondence, artists' files, artwork, and a diary entry documenting Joan Snyder's career as a painter and feminist artist.

The papers of painter, graphic and video artist, and educator Eleanor Dickinson measure 29.8 linear feet and 0.002 gigabytes, and date from 1947 to 2014. The collection comprises biographical materials; professional and personal correspondence; video and sound recordings of interviews for Dickinson's television program Art of the Matter; exhibition files; teaching files for the California College of Arts and Crafts and other professional and project files; research and subject files; membership records, including born-digital material, and sound and video recordings, for various organizations; personal financial and legal records; printed materials featuring Dickinson and her artwork; and photographic materials of Dickinson in her studio and with friends, colleagues, and family, as well as exhibitions and other art events, and works of art.