A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
This collection documents the life and career of Peruvian musician, composer, and translator Clotilde Arias. Her work includes a Department of State-commissioned translation of "The Star-Spangled Banner" titled "El Pendón Estrellado", advertising jingles, original compositions, and translations of music originally written in English. She also was heavily involved in numerous Pan-American organizations including La Unión de Mujeres Americanas/United American Women.This collection contains correspondence, music manuscripts, photographs,newspaper clippings and printed materials, and four compact discs.
This accession consists of audio recordings created during the production of two compact discs, "Heartbeat: Voices of First Nations Women" and "Heartbeat 2: More Voices of First Nations Women," as well as related recordings. "Heartbeat," released in 1995, and "Heartbeat 2," released in 1998, were produced for Smithsonian Folkways and featured ...
The materials cover the career of a woman bandmaster with an all women's traveling military band from 1898-1913, with the bulk of the material ca. 1902. Contents include clippings, photographs, programs, sheet music, hand noted music, posters, post cards, advertising fliers, letters, telegram, biographical article announcing candidacy for U.S. Sena...
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 9: Domestic and Community Life documents family, love, marriage, home, and social organizations. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
This accession includes records documenting two events of the Latin Music Program: "Boleros: Romantic Songs of the Americas," a Latin music conference and festival; and "Enlances: Connecting Communities through Latin Music," a concert and educational series to promote the origins and diverse genres inherent in Latin music. The Latin Music ...
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 28 contains materials documenting opera in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
Thirty-four tapes of radio shows Wells did on radio station KJAZ in San Francisco on the subject of women in jazz. Some of the sessions featured interviews, while others featured recorded music. The performers and interviewees are listed below.
Contents: Religious Song of the Ballo-Kai-Pomo. Dancing Song of the Ballo-Kai-Pomo, Potter Valley. Acorn Song, (Huchnom) [Yukian], sung by Usaka, a woman. Song of the Huchnom, Sung by old Kekhhoal (blind). Dancing Song of the Karok, Klamath River. Konkau [Maiduan] Dancing Song.