Charles Keller papers
Biographical material, correspondence, writings, sketches, teaching files, files on organizations to which Keller belonged, printed material, photographs, and a video on Keller.
Collective Graphics Workshop records
Business correspondence; copies of the by-laws, membership roster, New York State filing reciept for tax status, and minutes of meetings; a photograph of CETA workers, 1978; copies of financial statements, bills, and check records; annnouncements, newsletters, circulars, and printed miscellany.
Abril Lamarque papers
The papers of Cuban born cartoonist, caricaturist, graphic designer, illustrator, and art director Abril Lamarque papers date from 1883-2001, with the bulk of the material ranging from 1904-1999, and measure 6.8 linear feet. His papers contain biographical material; correspondence; writings; files on the many seminars and workshop he taught; scattered financial records; files concerning his business Abril Lamarque Creations; subject files; clippings; printed illustrations of his comics, designs, illustrations, and other work; seven scrapbooks; two sketchbooks, sketches and drawings by him, and artwork by others, including his sister, his brother, Paul Hoffmaster, Enrique Riverón, and H. Portell Vilá; and photographs and negatives depicting Lamarque, Lamarque at work, Lamarque's magic shows, examples of advertising, and friends and colleagues.
Jan Gelb and Boris Margo papers
Margo, Boris, 1902-1995
Correspondence, artwork, diaries, printed material, photographs, and business files.
Oral history interview with Gabor Peterdi
An interview of Gabor Peterdi conducted 1971 Apr. 29, by Paul Cummings, for the Archives of American Art. Peterdi speaks of his youth in Hungary and his early desire to be a painter, Paris and his first encounter with surrealism, studying printmaking with Stanley William Hayter and the Paris art scene in …
Pepe Coronado papers
The papers of Dominican Republic born American artist Pepe Coronado measure 1.5 linear feet and date from 1995 to 2016. The collection is comprised of exhibition files, professional files, printed materials, and artwork that document Coronado's career as a printmaker.
Oral history interview with Liliana Porter
Richards, Judith Olch
141 Pages (Transcript)
Interview of Liliana Porter, conducted by Judith Richards for the Archives of American Art, Smithsonian Institution in Rhinebeck, NY, on June 27-28, 2012.
Contemporary Arts Center records
Exhibitions and special activities files pertaining to visual arts. [The Center's records relating to music, theatre etc. were not microfilmed].
Michael Ponce de Leon papers
The papers of Michael Ponce de Leon measure 0.3 linear feet and date from 1952 to 1979. The papers document his career as an artist through two letters, one being a congratulatory letter from David Goddard upon receiving a Guggenheim award, 1967; photos and slides of Ponce de Leon's work, a slide of him in a workshop, and photos showing his metal collage intaglio printing technique; exhibition catalogs and announcements, reprints, clippings, miscellaneous notes, three cartoon drawings, and an intaglio, "There's a Time."
Philip Pearlstein papers
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.