An interview of Rudolph de Harak conducted 2000 April 27, by Susan Larsen, for Archives of American Art, in Trenton, Maine. Also received from De Harak at the time of the interview are a photocopy of an article reprinted in Design Culture that de Harak wrote for the American Institute of Graphic Arts; photocopy of an interview transcript with Gyorg...

Collection consists of miscellaneous late nineteenth/early twentieth century scrapbooks containing postcards, trade cards, greeting cards, decals, and other ephemera.

The Marilynn Karp papers regarding sculptor Richard Lippold measure 0.8 linear feet and date from 1949-2015. Included are personal letters to Karp from Lippold and Ray Johnson regarding Lippold; records pertaining to the Richard Lippold Foundation and estate; a folder relating to Hunter College, where Karp was a student and Lippold taught; a video recorded interview with Richard Lippold by Franco Zeffirelli, photographs and negatives of Lippold in his studio, printed material, a project proposal for the World Trade Center Memorial, and a few writings by and about Lippold.

Thirty-eight courtroom drawings by artist Marilyn Church. The drawings depict scenes from some of the most famous and notorious cases in the city of New York: Tupac Shakur's 1994 trial for sexual abuse; Sean John Combs's 2001 trial for assault and weapons violations; Sid Vicious's (John Simon Ritchie) pre-trial hearing for murder in 1978; Rubin "Hu...

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

An interview with Frank Holliday conducted 2017 January 24 and 26, by Theodore Kerr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Holliday Studios in New York, New York.

Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.

The eleven boxes contain documentation relating to project files including business correspondence, invoices, sketches, contracts and agreements, research materials, brochures, photographs, slides and models. This collection, which includes some biographical material and which is specifically related to the design process and to the use of plastic...

An interview of Robert Moskowitz conducted 2010 Apr. 26 and 27, by Judith Olch Richards, for the Archives of American Art, at the Moskowitz's home and studio in New York, N.Y.

An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.