The Marilynn Karp papers regarding sculptor Richard Lippold measure 0.8 linear feet and date from 1949-2015. Included are personal letters to Karp from Lippold and Ray Johnson regarding Lippold; records pertaining to the Richard Lippold Foundation and estate; a folder relating to Hunter College, where Karp was a student and Lippold taught; a video recorded interview with Richard Lippold by Franco Zeffirelli, photographs and negatives of Lippold in his studio, printed material, a project proposal for the World Trade Center Memorial, and a few writings by and about Lippold.

Thirty-eight courtroom drawings by artist Marilyn Church. The drawings depict scenes from some of the most famous and notorious cases in the city of New York: Tupac Shakur's 1994 trial for sexual abuse; Sean John Combs's 2001 trial for assault and weapons violations; Sid Vicious's (John Simon Ritchie) pre-trial hearing for murder in 1978; Rubin "Hu...

The collection contains: twenty-nine silver gelatin photoprints mounted on Fome-Core, Masonite, and cardboard, ranging in size from 5-1/2" x 9-1/4" to 10-11/16" x 13-13/16"; three 5" x 7" unmounted silver gelatin photoprints; a scrapbook which originally contained 56 silver gelatin photoprints, ranging in size from 2" x 3" to 7-1/2" x 9-1/2"; and s...

The eleven boxes contain documentation relating to project files including business correspondence, invoices, sketches, contracts and agreements, research materials, brochures, photographs, slides and models. This collection, which includes some biographical material and which is specifically related to the design process and to the use of plastic...

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

This collection is composed of two series: (1) 22 stereographs by several publishers, many of which relate to or were actually printed from negatives in the Underwood & Underwood Glass Stereograph Collection; and (2) a pamphlet. The fourth group of cards illustrates certain aspects of how stereographs were used by various companies, including two...

The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes materials on other world's fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and Disney.

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

The Joseph Konopka Papers measure 1.1 linear feet and date from 1965 to 2003. The papers document Konopka's career as a photo-realist and landscape painter through biographical material, correspondence, and artwork.