Includes "Gazetteer of the Marshall Islands"; "Meteorology of the Marshall Islands"; "Emergency Adaptations in Melanesia: Some Practical Suggestions"; "Seaplane Landings in Northern Dutch New Guinea"; "Food and Water Supply in the Marshall Islands"; "Distribution of Diseases in Melanesia"; and "Meteorology of the Caroline Islands."
Copied by Yale University Library, from prints owned by John Bakeless, Great Hill, R. F. D. 2, Seymour, Connecticut and collected by his father, O. H. Bakeless, while he was Principal Teacher at Carlisle, 1892-1902. See Bakeless correspondence in Smithsonian Institution files.) Captions by John Bakeless.
The papers of art collector Francis Patrick Garvan measure 44.9 linear feet and date from 1912 to 1953, with one document from 1867. The papers provide extensive documentation on the Garvan collection which included rare books, ceramics, glass, paintings, prints, and furniture. The majority of the collection consists of inventory records that give descriptive information regarding each piece in the collection; in many cases the files also include a photograph of the object. Also found are correspondence and subject files; auction records for sales at the American Art Association, Parke-Bernet Galleries, and Plaza Art Galleries; loan records; estate records; and a small amount of printed material, writings, and photographs. Approximately half of the Garvan papers were created posthumously by Mabel Brady Garvan and the managers of Garvan's estate.
Copy of a studio portrait depicting Red Cloud presenting a headdress and pipe to Othniel Charles Marsh. The portrait was made at Frank A. Bowman's studio in New Haven, Connecticut, on January 22, 1883.
Image of Dr. William C. Sturtevant and Professor Harold C. Conklin of Yale University in Sturtevant's office in the National Museum of Natural History on June 24, 1998. Conklin is shown wearing a pin marking the Centennial of the Philippine Declaration of Independence, in preparation for the Smithsonian Folklife Festival.
Copies of two manuscripts deposited with the Institute of Human Relations, Yale University. Includes "Sur Quelques Themes Folkloriques de Guyane" and "Theorie Statistique des Structures Sociales," and related correspondence.
The papers of museum director, professor, writer, and post-World War II Monuments Men Andrew Carnduff Ritchie measure 10.3 linear feet and date from 1907 to 1983. Found within the papers are biographical material, including materials and photographs concerning his military service in the Monuments, Fine Arts, and Archives Section of the U.S. Army; correspondence, including letters from numerous artists; writings; committee and organization files; exhibition and project files, teaching files; printed material; and photographs, including portrait images of Ritchie taken by Hans Namuth.
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and 1.17 GB and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed and digital material; photographs; and artwork.
The papers of Michiko Takaki, 1921-2011 (bulk 1960s), document her field work among the Kalinga people of the northern Philippines and her professional contributions as a faculty member at the University of Massachusetts, Boston. The papers consist primarily of economic and linguistic field data gathered between 1964 and 1968, used in the production of her doctoral dissertation ("Aspects of Exchange in a Kalinga Society, Northern Luzon," 1977) and throughout her anthropological career. The collection consists of field notes, maps, photographic prints, negatives, slides, sound recordings, recorded film, data and analysis, correspondence, working files and drafts, and publications.